„Mít oči k vidění i k pláči“ aneb jak tlumočit bolest minulosti

The text deals with possible approaches towards the representation of pain in architecture, especially among monuments and memorials. Pain is approached as a historical event, having its own orientation towards the past, present, and future. Conceived as such, pain can also stand for our (collective...

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Main Author: Josef Řídký
Format: Article
Language:ces
Published: Karolinum Press 2023-06-01
Series:Acta Universitatis Carolinae: Philosophica et Historica
Online Access:http://www.karolinum.cz/doi/10.14712/24647055.2023.13
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author Josef Řídký
author_facet Josef Řídký
author_sort Josef Řídký
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description The text deals with possible approaches towards the representation of pain in architecture, especially among monuments and memorials. Pain is approached as a historical event, having its own orientation towards the past, present, and future. Conceived as such, pain can also stand for our (collective) memory. While the dominant mode of representation consists of straightforwardly reminding people of past traumas, a strategy that can easily be weaponized for a political agenda and is still harder to experience authentically, a new generation of monuments takes different approach: instead of relying on historical context and an a priori knowledge, it mediates the experience of pain as such.
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spelling doaj.art-4c2dc2060c1c4d26ae71fb03e093e6792023-06-23T15:33:58ZcesKarolinum PressActa Universitatis Carolinae: Philosophica et Historica0567-82932464-70552023-06-012021125125910.14712/24647055.2023.13„Mít oči k vidění i k pláči“ aneb jak tlumočit bolest minulostiJosef ŘídkýThe text deals with possible approaches towards the representation of pain in architecture, especially among monuments and memorials. Pain is approached as a historical event, having its own orientation towards the past, present, and future. Conceived as such, pain can also stand for our (collective) memory. While the dominant mode of representation consists of straightforwardly reminding people of past traumas, a strategy that can easily be weaponized for a political agenda and is still harder to experience authentically, a new generation of monuments takes different approach: instead of relying on historical context and an a priori knowledge, it mediates the experience of pain as such.http://www.karolinum.cz/doi/10.14712/24647055.2023.13
spellingShingle Josef Řídký
„Mít oči k vidění i k pláči“ aneb jak tlumočit bolest minulosti
Acta Universitatis Carolinae: Philosophica et Historica
title „Mít oči k vidění i k pláči“ aneb jak tlumočit bolest minulosti
title_full „Mít oči k vidění i k pláči“ aneb jak tlumočit bolest minulosti
title_fullStr „Mít oči k vidění i k pláči“ aneb jak tlumočit bolest minulosti
title_full_unstemmed „Mít oči k vidění i k pláči“ aneb jak tlumočit bolest minulosti
title_short „Mít oči k vidění i k pláči“ aneb jak tlumočit bolest minulosti
title_sort mit oci k videni i k placi aneb jak tlumocit bolest minulosti
url http://www.karolinum.cz/doi/10.14712/24647055.2023.13
work_keys_str_mv AT josefridky mitocikvideniikplacianebjaktlumocitbolestminulosti