« Halte-là la musique / par ici les chansons »
This article has two parts. In the first, Jacqueline Gojard studies the privileged relationship between poetry and song in the life and work of André Salmon (1881-1969). In the second, Alessandro Maras analyses the relationship between this poet and art music. Although he lived in a time of great m...
| Main Authors: | , |
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| Format: | Article |
| Language: | deu |
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Università degli Studi di Torino
2021-12-01
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| Series: | CoSMO |
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| Online Access: | https://www.ojs.unito.it/index.php/COSMO/article/view/6343 |
| _version_ | 1818783164214018048 |
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| author | Jacqueline Gojard Alessandro Maras |
| author_facet | Jacqueline Gojard Alessandro Maras |
| author_sort | Jacqueline Gojard |
| collection | DOAJ |
| description | This article has two parts. In the first, Jacqueline Gojard studies the privileged relationship between poetry and song in the life and work of André Salmon (1881-1969). In the second, Alessandro Maras analyses the relationship between this poet and art music. Although he lived in a time of great musical revolutions, Salmon seems to have had nothing to do with the world of Stravinsky and Debussy, thus confirming and making explicit the attitude of many artists and poets in the context of the aesthetic paradigm shift between the nineteenth and twentieth centuries. |
| first_indexed | 2024-12-18T12:59:50Z |
| format | Article |
| id | doaj.art-4c33e02a95f9477ab08b0b60450822c3 |
| institution | Directory Open Access Journal |
| issn | 2281-6658 |
| language | deu |
| last_indexed | 2024-12-18T12:59:50Z |
| publishDate | 2021-12-01 |
| publisher | Università degli Studi di Torino |
| record_format | Article |
| series | CoSMO |
| spelling | doaj.art-4c33e02a95f9477ab08b0b60450822c32022-12-21T21:07:10ZdeuUniversità degli Studi di TorinoCoSMO2281-66582021-12-011910.13135/2281-6658/6343« Halte-là la musique / par ici les chansons »Jacqueline Gojard0Alessandro Maras1Université Paris IIIUniversità “La Sapienza”, RomaThis article has two parts. In the first, Jacqueline Gojard studies the privileged relationship between poetry and song in the life and work of André Salmon (1881-1969). In the second, Alessandro Maras analyses the relationship between this poet and art music. Although he lived in a time of great musical revolutions, Salmon seems to have had nothing to do with the world of Stravinsky and Debussy, thus confirming and making explicit the attitude of many artists and poets in the context of the aesthetic paradigm shift between the nineteenth and twentieth centuries.https://www.ojs.unito.it/index.php/COSMO/article/view/6343SongDiaghilevPoetryApollinaireSalmonMusic |
| spellingShingle | Jacqueline Gojard Alessandro Maras « Halte-là la musique / par ici les chansons » CoSMO Song Diaghilev Poetry Apollinaire Salmon Music |
| title | « Halte-là la musique / par ici les chansons » |
| title_full | « Halte-là la musique / par ici les chansons » |
| title_fullStr | « Halte-là la musique / par ici les chansons » |
| title_full_unstemmed | « Halte-là la musique / par ici les chansons » |
| title_short | « Halte-là la musique / par ici les chansons » |
| title_sort | halte la la musique par ici les chansons |
| topic | Song Diaghilev Poetry Apollinaire Salmon Music |
| url | https://www.ojs.unito.it/index.php/COSMO/article/view/6343 |
| work_keys_str_mv | AT jacquelinegojard haltelalamusiqueparicileschansons AT alessandromaras haltelalamusiqueparicileschansons |