Si vis me flere. Emotions in the mirror
This paper addresses the issue of the actor's work with the aidof elements from neurosciences and philosophy. It presents texts by Horace in which he gives indications to actors and speakers. Suchassumptions are elaborated with texts by Diderot and Copeau in orderto raise comprehensions about t...
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Format: | Article |
Language: | English |
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Universidade Federal do Rio Grande do Sul
2011-11-01
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Series: | Revista Brasileira de Estudos da Presença |
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Online Access: | http://seer.ufrgs.br/presenca/article/view/20946/14324 |
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author | Clelia Falletti |
author_facet | Clelia Falletti |
author_sort | Clelia Falletti |
collection | DOAJ |
description | This paper addresses the issue of the actor's work with the aidof elements from neurosciences and philosophy. It presents texts by Horace in which he gives indications to actors and speakers. Suchassumptions are elaborated with texts by Diderot and Copeau in orderto raise comprehensions about the emotions and more rational tasks of the actor's work. It presents the concept of mirror mechanism to showhow mirror neurons in the brain are responsible for chain actions in the nervous system. It compares those mechanisms with the actor'swork. |
first_indexed | 2024-12-21T05:48:33Z |
format | Article |
id | doaj.art-4c56d635e2754549ba340cc213074a62 |
institution | Directory Open Access Journal |
issn | 2237-2660 |
language | English |
last_indexed | 2024-12-21T05:48:33Z |
publishDate | 2011-11-01 |
publisher | Universidade Federal do Rio Grande do Sul |
record_format | Article |
series | Revista Brasileira de Estudos da Presença |
spelling | doaj.art-4c56d635e2754549ba340cc213074a622022-12-21T19:14:03ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602011-11-0112286300Si vis me flere. Emotions in the mirrorClelia FallettiThis paper addresses the issue of the actor's work with the aidof elements from neurosciences and philosophy. It presents texts by Horace in which he gives indications to actors and speakers. Suchassumptions are elaborated with texts by Diderot and Copeau in orderto raise comprehensions about the emotions and more rational tasks of the actor's work. It presents the concept of mirror mechanism to showhow mirror neurons in the brain are responsible for chain actions in the nervous system. It compares those mechanisms with the actor'swork.http://seer.ufrgs.br/presenca/article/view/20946/14324ActorTheatreNeurosciencesMirror MechanismPresence |
spellingShingle | Clelia Falletti Si vis me flere. Emotions in the mirror Revista Brasileira de Estudos da Presença Actor Theatre Neurosciences Mirror Mechanism Presence |
title | Si vis me flere. Emotions in the mirror |
title_full | Si vis me flere. Emotions in the mirror |
title_fullStr | Si vis me flere. Emotions in the mirror |
title_full_unstemmed | Si vis me flere. Emotions in the mirror |
title_short | Si vis me flere. Emotions in the mirror |
title_sort | si vis me flere emotions in the mirror |
topic | Actor Theatre Neurosciences Mirror Mechanism Presence |
url | http://seer.ufrgs.br/presenca/article/view/20946/14324 |
work_keys_str_mv | AT cleliafalletti sivismeflereemotionsinthemirror |