Intermedial performance aesthetics in Patricia Fagundes' A Midsummer Night's Dream
In A Midsummer Night’s Dream (1594-1595), Shakespeare introduces elements borrowed from court masques, mainly music and dance. After a brief exploration of critical arguments claiming that Shakespeare’s play is the model for musical versions produced during and after the Restoration, this essay inve...
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| Format: | Article |
| Language: | English |
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Universidade Federal de Minas Gerais
2013-12-01
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| Series: | Aletria: Revista de Estudos de Literatura |
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| Online Access: | http://www.periodicos.letras.ufmg.br/index.php/aletria/article/view/4942 |
| _version_ | 1828390106316144640 |
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| author | Anna Stegh Camati |
| author_facet | Anna Stegh Camati |
| author_sort | Anna Stegh Camati |
| collection | DOAJ |
| description | In A Midsummer Night’s Dream (1594-1595), Shakespeare introduces elements borrowed from court masques, mainly music and dance. After a brief exploration of critical arguments claiming that Shakespeare’s play is the model for musical versions produced during and after the Restoration, this essay investigates the negotiations and shifts of meaning in the homonymous Brazilian adaptation (2006), staged by Cia. Rústica and directed by Patrícia Fagundes. The intermedial processes, articulated in the transposition from page to stage, will be analyzed in the light of contemporary theoretical perspectives. |
| first_indexed | 2024-12-10T06:39:56Z |
| format | Article |
| id | doaj.art-4c6001a156954070a98688ed32aba30f |
| institution | Directory Open Access Journal |
| issn | 1679-3749 2317-2096 |
| language | English |
| last_indexed | 2024-12-10T06:39:56Z |
| publishDate | 2013-12-01 |
| publisher | Universidade Federal de Minas Gerais |
| record_format | Article |
| series | Aletria: Revista de Estudos de Literatura |
| spelling | doaj.art-4c6001a156954070a98688ed32aba30f2022-12-22T01:58:49ZengUniversidade Federal de Minas GeraisAletria: Revista de Estudos de Literatura1679-37492317-20962013-12-0123314115610.17851/2317-2096.23.3.141-1564458Intermedial performance aesthetics in Patricia Fagundes' A Midsummer Night's DreamAnna Stegh Camati0Centro Universitário Campos de Andrade (UNIANDRADE)In A Midsummer Night’s Dream (1594-1595), Shakespeare introduces elements borrowed from court masques, mainly music and dance. After a brief exploration of critical arguments claiming that Shakespeare’s play is the model for musical versions produced during and after the Restoration, this essay investigates the negotiations and shifts of meaning in the homonymous Brazilian adaptation (2006), staged by Cia. Rústica and directed by Patrícia Fagundes. The intermedial processes, articulated in the transposition from page to stage, will be analyzed in the light of contemporary theoretical perspectives.http://www.periodicos.letras.ufmg.br/index.php/aletria/article/view/4942Intermediality, Media Combination, Intermedial References. |
| spellingShingle | Anna Stegh Camati Intermedial performance aesthetics in Patricia Fagundes' A Midsummer Night's Dream Aletria: Revista de Estudos de Literatura Intermediality, Media Combination, Intermedial References. |
| title | Intermedial performance aesthetics in Patricia Fagundes' A Midsummer Night's Dream |
| title_full | Intermedial performance aesthetics in Patricia Fagundes' A Midsummer Night's Dream |
| title_fullStr | Intermedial performance aesthetics in Patricia Fagundes' A Midsummer Night's Dream |
| title_full_unstemmed | Intermedial performance aesthetics in Patricia Fagundes' A Midsummer Night's Dream |
| title_short | Intermedial performance aesthetics in Patricia Fagundes' A Midsummer Night's Dream |
| title_sort | intermedial performance aesthetics in patricia fagundes a midsummer night s dream |
| topic | Intermediality, Media Combination, Intermedial References. |
| url | http://www.periodicos.letras.ufmg.br/index.php/aletria/article/view/4942 |
| work_keys_str_mv | AT annasteghcamati intermedialperformanceaestheticsinpatriciafagundesamidsummernightsdream |