Ravishing Vancouver Circa 1948: Life Writing and the Immersive Translation of Noir Aesthetics

This article takes its cues from autobiography scholar Marlene Kadar’s expansive, archivally focused feminist approach to life writing in its examination of two exemplars of visual culture: Ivan Sayers and Claus Jahnke’s From Rationing to Ravishing: The Transformation of Women’s Fashion in the 1940s...

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Main Author: Susan Ingram
Format: Article
Language:English
Published: University of Alberta 2021-02-01
Series:Imaginations: Journal of Cross-Cultural Media Studies
Subjects:
Online Access:https://journals.library.ualberta.ca/imaginations/index.php/imaginations/article/view/29515
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author Susan Ingram
author_facet Susan Ingram
author_sort Susan Ingram
collection DOAJ
description This article takes its cues from autobiography scholar Marlene Kadar’s expansive, archivally focused feminist approach to life writing in its examination of two exemplars of visual culture: Ivan Sayers and Claus Jahnke’s From Rationing to Ravishing: The Transformation of Women’s Fashion in the 1940s & 1950s exhibition and Stan Douglas’s innovatively staged Helen Lawrence and its sister project, the interactive app and installation, Circa 1948. It illuminates both works biographically, exploring their creators’ relation to Vancouver to better understand the resurgence of noir in Vancouver circa 2014 as a form of translation intended to make historical lessons about crime and corruption visible for those willing to see them.
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spelling doaj.art-4c7060483bcc416e94b02abf89b043e12022-12-21T21:48:23ZengUniversity of AlbertaImaginations: Journal of Cross-Cultural Media Studies1918-84392021-02-0111310.17742/IMAGE.VT.11.3.3Ravishing Vancouver Circa 1948: Life Writing and the Immersive Translation of Noir AestheticsSusan Ingram0York UniversityThis article takes its cues from autobiography scholar Marlene Kadar’s expansive, archivally focused feminist approach to life writing in its examination of two exemplars of visual culture: Ivan Sayers and Claus Jahnke’s From Rationing to Ravishing: The Transformation of Women’s Fashion in the 1940s & 1950s exhibition and Stan Douglas’s innovatively staged Helen Lawrence and its sister project, the interactive app and installation, Circa 1948. It illuminates both works biographically, exploring their creators’ relation to Vancouver to better understand the resurgence of noir in Vancouver circa 2014 as a form of translation intended to make historical lessons about crime and corruption visible for those willing to see them.https://journals.library.ualberta.ca/imaginations/index.php/imaginations/article/view/29515noir; Vancouver; fashion exhibitions; Stan Douglas; life writing
spellingShingle Susan Ingram
Ravishing Vancouver Circa 1948: Life Writing and the Immersive Translation of Noir Aesthetics
Imaginations: Journal of Cross-Cultural Media Studies
noir; Vancouver; fashion exhibitions; Stan Douglas; life writing
title Ravishing Vancouver Circa 1948: Life Writing and the Immersive Translation of Noir Aesthetics
title_full Ravishing Vancouver Circa 1948: Life Writing and the Immersive Translation of Noir Aesthetics
title_fullStr Ravishing Vancouver Circa 1948: Life Writing and the Immersive Translation of Noir Aesthetics
title_full_unstemmed Ravishing Vancouver Circa 1948: Life Writing and the Immersive Translation of Noir Aesthetics
title_short Ravishing Vancouver Circa 1948: Life Writing and the Immersive Translation of Noir Aesthetics
title_sort ravishing vancouver circa 1948 life writing and the immersive translation of noir aesthetics
topic noir; Vancouver; fashion exhibitions; Stan Douglas; life writing
url https://journals.library.ualberta.ca/imaginations/index.php/imaginations/article/view/29515
work_keys_str_mv AT susaningram ravishingvancouvercirca1948lifewritingandtheimmersivetranslationofnoiraesthetics