"Mirabili visioni": from movable books to movable text

This contribution reconstructs the history of movable books, books created for a wide range of different purposes (teaching, mnemonics, play, divining, etc.) including mechanical or paratextual devices demanding or soliciting the interaction of the reader. The investigation runs from hand-written bo...

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Main Author: Gianfranco Crupi
Format: Article
Language:English
Published: Firenze University Press 2016-01-01
Series:JLIS.it
Online Access:https://ojs.devarea.it/v2/index.php/jlis/article/view/177
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author Gianfranco Crupi
author_facet Gianfranco Crupi
author_sort Gianfranco Crupi
collection DOAJ
description This contribution reconstructs the history of movable books, books created for a wide range of different purposes (teaching, mnemonics, play, divining, etc.) including mechanical or paratextual devices demanding or soliciting the interaction of the reader. The investigation runs from hand-written books to the most courageous paper-engineering experiments of the 20th century Avant-Garde, considering some specific editorial genres, including calendars, “libri di sorti”, anatomical books, navigation handbooks etc., and animated children's books. In particular, it demonstrates how the happy season for animated paper production and publishing of the 19th century would not have been possible without the scientific inheritance of optical studies and vision sciences, precursors a short time before the invention of the Lumière brothers (1895). The study also examines some literary works using combinatorial mechanisms, experimenting the semiotic potential of expressive codes and very different techniques and materials: the reference is to books of Futurism and Dadaism, the "artists' book", and other avant-garde texts from the second half of the 20th century.
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spelling doaj.art-4c93027133cd476bafcd12d90d4410c92022-12-22T02:06:48ZengFirenze University PressJLIS.it2038-10262016-01-0171"Mirabili visioni": from movable books to movable textGianfranco CrupiThis contribution reconstructs the history of movable books, books created for a wide range of different purposes (teaching, mnemonics, play, divining, etc.) including mechanical or paratextual devices demanding or soliciting the interaction of the reader. The investigation runs from hand-written books to the most courageous paper-engineering experiments of the 20th century Avant-Garde, considering some specific editorial genres, including calendars, “libri di sorti”, anatomical books, navigation handbooks etc., and animated children's books. In particular, it demonstrates how the happy season for animated paper production and publishing of the 19th century would not have been possible without the scientific inheritance of optical studies and vision sciences, precursors a short time before the invention of the Lumière brothers (1895). The study also examines some literary works using combinatorial mechanisms, experimenting the semiotic potential of expressive codes and very different techniques and materials: the reference is to books of Futurism and Dadaism, the "artists' book", and other avant-garde texts from the second half of the 20th century.https://ojs.devarea.it/v2/index.php/jlis/article/view/177
spellingShingle Gianfranco Crupi
"Mirabili visioni": from movable books to movable text
JLIS.it
title "Mirabili visioni": from movable books to movable text
title_full "Mirabili visioni": from movable books to movable text
title_fullStr "Mirabili visioni": from movable books to movable text
title_full_unstemmed "Mirabili visioni": from movable books to movable text
title_short "Mirabili visioni": from movable books to movable text
title_sort mirabili visioni from movable books to movable text
url https://ojs.devarea.it/v2/index.php/jlis/article/view/177
work_keys_str_mv AT gianfrancocrupi mirabilivisionifrommovablebookstomovabletext