The White Ship (Roberto Rossellini, 1941) that heals the Blackshirts

As US bombardments caused death and destruction, common people realized that the fascist ads of a quick war without penalty were a tragic governmental lie. After the propagandist frenzy of military exaltation documentaries like Ali fasciste (Fernando Cerchio, 1941), directors and employees of Cineci...

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Main Author: Ludovico LonghI
Format: Article
Language:Catalan
Published: Universidad Complutense de Madrid 2017-05-01
Series:Revista de Filología Románica
Subjects:
Online Access:http://revistas.ucm.es/index.php/RFRM/article/view/55843
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author Ludovico LonghI
author_facet Ludovico LonghI
author_sort Ludovico LonghI
collection DOAJ
description As US bombardments caused death and destruction, common people realized that the fascist ads of a quick war without penalty were a tragic governmental lie. After the propagandist frenzy of military exaltation documentaries like Ali fasciste (Fernando Cerchio, 1941), directors and employees of Cinecittà held back their support for an aggressive military policy. In 1941 Pavolini, the Popular Culture Minister, approved immediately funding for a series of films that instilled a vision of war as a condition serenely accepted by soldiers. It was proposing a new form of heroism that alienated the belligerent attitudes and rewarded solidarity, selflessness and sacrifice. This paper wants to analyse how this new course, and in particular The White Ship (1941, the first feature of Rossellini), contained the first neorealist aesthetic seeds.
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spelling doaj.art-4ce5dd10781546539f7f8b938c542bd32022-12-22T01:45:08ZcatUniversidad Complutense de MadridRevista de Filología Románica0212-999X1988-28152017-05-0133014114910.5209/RFRM.5584351767The White Ship (Roberto Rossellini, 1941) that heals the BlackshirtsLudovico LonghI0Departamento de Comunicación Audiovisual Universitat Autònoma de BarcelonaAs US bombardments caused death and destruction, common people realized that the fascist ads of a quick war without penalty were a tragic governmental lie. After the propagandist frenzy of military exaltation documentaries like Ali fasciste (Fernando Cerchio, 1941), directors and employees of Cinecittà held back their support for an aggressive military policy. In 1941 Pavolini, the Popular Culture Minister, approved immediately funding for a series of films that instilled a vision of war as a condition serenely accepted by soldiers. It was proposing a new form of heroism that alienated the belligerent attitudes and rewarded solidarity, selflessness and sacrifice. This paper wants to analyse how this new course, and in particular The White Ship (1941, the first feature of Rossellini), contained the first neorealist aesthetic seeds.http://revistas.ucm.es/index.php/RFRM/article/view/55843La nave blanca, Roberto Rossellini, fascismo, propaganda militar.
spellingShingle Ludovico LonghI
The White Ship (Roberto Rossellini, 1941) that heals the Blackshirts
Revista de Filología Románica
La nave blanca, Roberto Rossellini, fascismo, propaganda militar.
title The White Ship (Roberto Rossellini, 1941) that heals the Blackshirts
title_full The White Ship (Roberto Rossellini, 1941) that heals the Blackshirts
title_fullStr The White Ship (Roberto Rossellini, 1941) that heals the Blackshirts
title_full_unstemmed The White Ship (Roberto Rossellini, 1941) that heals the Blackshirts
title_short The White Ship (Roberto Rossellini, 1941) that heals the Blackshirts
title_sort white ship roberto rossellini 1941 that heals the blackshirts
topic La nave blanca, Roberto Rossellini, fascismo, propaganda militar.
url http://revistas.ucm.es/index.php/RFRM/article/view/55843
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