Valiant, Independent, and Harmonious: Paul Signac and Neo-Impressionism after 1900

Through a close reading of Parisian art criticism around 1900, this essay examines Paul Signac's role as de facto head of the neo-impressionists and guiding spirit of the Salon des Indépendants. Signac, and the neo-impressionists generally, had suffered from the decline of the Indépendants in t...

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Main Author: Dymond, Anne
Format: Article
Language:deu
Published: International Association of Research Institutes in the History of Art (RIHA) 2012-07-01
Series:RIHA Journal
Subjects:
Online Access:http://www.riha-journal.org/articles/2012/2012-jul-sep/special-issue-neo-impressionism/dymond-valiant-independent-and-harmonious
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author Dymond, Anne
author_facet Dymond, Anne
author_sort Dymond, Anne
collection DOAJ
description Through a close reading of Parisian art criticism around 1900, this essay examines Paul Signac's role as de facto head of the neo-impressionists and guiding spirit of the Salon des Indépendants. Signac, and the neo-impressionists generally, had suffered from the decline of the Indépendants in the latter 1890s, but the resurgence of both group and Salon in 1901 positioned Signac as one of the most significant avant-garde artists in the early 20th century, where he played a vital role in the most significant art debates then animating Paris. Their return to prominence was due in no small measure to Signac's latest foray into the decorative, a highly charged arena that would be central to the artistic debates of the first decade of the 20th century.
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spelling doaj.art-4d0e364cdd364b5ebb3da9477b2b4caf2023-11-02T10:12:33ZdeuInternational Association of Research Institutes in the History of Art (RIHA)RIHA Journal2190-33282190-33282012-07-010046Valiant, Independent, and Harmonious: Paul Signac and Neo-Impressionism after 1900Dymond, AnneThrough a close reading of Parisian art criticism around 1900, this essay examines Paul Signac's role as de facto head of the neo-impressionists and guiding spirit of the Salon des Indépendants. Signac, and the neo-impressionists generally, had suffered from the decline of the Indépendants in the latter 1890s, but the resurgence of both group and Salon in 1901 positioned Signac as one of the most significant avant-garde artists in the early 20th century, where he played a vital role in the most significant art debates then animating Paris. Their return to prominence was due in no small measure to Signac's latest foray into the decorative, a highly charged arena that would be central to the artistic debates of the first decade of the 20th century.http://www.riha-journal.org/articles/2012/2012-jul-sep/special-issue-neo-impressionism/dymond-valiant-independent-and-harmoniousPaul SignacSalon des Indépendantsneo-impressionismart criticismdecorativeKunstkritik
spellingShingle Dymond, Anne
Valiant, Independent, and Harmonious: Paul Signac and Neo-Impressionism after 1900
RIHA Journal
Paul Signac
Salon des Indépendants
neo-impressionism
art criticism
decorative
Kunstkritik
title Valiant, Independent, and Harmonious: Paul Signac and Neo-Impressionism after 1900
title_full Valiant, Independent, and Harmonious: Paul Signac and Neo-Impressionism after 1900
title_fullStr Valiant, Independent, and Harmonious: Paul Signac and Neo-Impressionism after 1900
title_full_unstemmed Valiant, Independent, and Harmonious: Paul Signac and Neo-Impressionism after 1900
title_short Valiant, Independent, and Harmonious: Paul Signac and Neo-Impressionism after 1900
title_sort valiant independent and harmonious paul signac and neo impressionism after 1900
topic Paul Signac
Salon des Indépendants
neo-impressionism
art criticism
decorative
Kunstkritik
url http://www.riha-journal.org/articles/2012/2012-jul-sep/special-issue-neo-impressionism/dymond-valiant-independent-and-harmonious
work_keys_str_mv AT dymondanne valiantindependentandharmoniouspaulsignacandneoimpressionismafter1900