Revisiting Harrison and Cynthia White’s Academic vs. Dealer-Critic System

The field of art market studies is based on a famous opposition, coined by Harrison and Cynthia White in 1965, regarding the &#8220;academic&#8221; system, as opposed to the &#8220;dealer-critic&#8221; one. Published in 1965, their book, <i>Canvases and Careers, Institutional C...

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Main Author: Léa Saint-Raymond
Format: Article
Language:English
Published: MDPI AG 2019-07-01
Series:Arts
Subjects:
Online Access:https://www.mdpi.com/2076-0752/8/3/96
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author Léa Saint-Raymond
author_facet Léa Saint-Raymond
author_sort Léa Saint-Raymond
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description The field of art market studies is based on a famous opposition, coined by Harrison and Cynthia White in 1965, regarding the &#8220;academic&#8221; system, as opposed to the &#8220;dealer-critic&#8221; one. Published in 1965, their book, <i>Canvases and Careers, Institutional Change in the French Painting World</i>, was qualified by Patricia Mainardi and Pierre Vaisse, but their criticism dated back to the 1990s. In the meantime, the development of digital methods makes possible a broader reassessment of Harrison and Cynthia White&#8217;s theory. Based on a corpus of Parisian auction sales, from 1831 through 1925, this paper uses econometrics to call into question the antagonism between the academic and the dealer-critic system, and comes to another conclusion: the academic system was crucial to determine the value of artworks and its efficiency did not collapse in the 1870s, nor in the 1880s, but rather after the Great War.
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spelling doaj.art-4d2c3d5e79294e4d9762a167b089a5a92022-12-22T00:11:57ZengMDPI AGArts2076-07522019-07-01839610.3390/arts8030096arts8030096Revisiting Harrison and Cynthia White’s Academic vs. Dealer-Critic SystemLéa Saint-Raymond0Ecole Normale Supérieure, 75005 Paris, FranceThe field of art market studies is based on a famous opposition, coined by Harrison and Cynthia White in 1965, regarding the &#8220;academic&#8221; system, as opposed to the &#8220;dealer-critic&#8221; one. Published in 1965, their book, <i>Canvases and Careers, Institutional Change in the French Painting World</i>, was qualified by Patricia Mainardi and Pierre Vaisse, but their criticism dated back to the 1990s. In the meantime, the development of digital methods makes possible a broader reassessment of Harrison and Cynthia White&#8217;s theory. Based on a corpus of Parisian auction sales, from 1831 through 1925, this paper uses econometrics to call into question the antagonism between the academic and the dealer-critic system, and comes to another conclusion: the academic system was crucial to determine the value of artworks and its efficiency did not collapse in the 1870s, nor in the 1880s, but rather after the Great War.https://www.mdpi.com/2076-0752/8/3/96art marketSaloneconometricsHarrison and Cynthia Whiteacademic systemdealer-critic system
spellingShingle Léa Saint-Raymond
Revisiting Harrison and Cynthia White’s Academic vs. Dealer-Critic System
Arts
art market
Salon
econometrics
Harrison and Cynthia White
academic system
dealer-critic system
title Revisiting Harrison and Cynthia White’s Academic vs. Dealer-Critic System
title_full Revisiting Harrison and Cynthia White’s Academic vs. Dealer-Critic System
title_fullStr Revisiting Harrison and Cynthia White’s Academic vs. Dealer-Critic System
title_full_unstemmed Revisiting Harrison and Cynthia White’s Academic vs. Dealer-Critic System
title_short Revisiting Harrison and Cynthia White’s Academic vs. Dealer-Critic System
title_sort revisiting harrison and cynthia white s academic vs dealer critic system
topic art market
Salon
econometrics
Harrison and Cynthia White
academic system
dealer-critic system
url https://www.mdpi.com/2076-0752/8/3/96
work_keys_str_mv AT leasaintraymond revisitingharrisonandcynthiawhitesacademicvsdealercriticsystem