“Memoir” as Counter-Narrative

Philip Roth’s 2004 novel The Plot Against America famously imagines what America might have been like had the aviator Charles Lindbergh, a Nazi sympathizer, won the 1940 election for President of the United States. That alternate history is focalized through the experiences of Roth as a young boy –...

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Main Author: Howard Sklar
Format: Article
Language:Danish
Published: Aalborg University Open Publishing 2018-11-01
Series:Akademisk Kvarter
Subjects:
Online Access:https://journals.aau.dk/index.php/ak/article/view/2507
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author Howard Sklar
author_facet Howard Sklar
author_sort Howard Sklar
collection DOAJ
description Philip Roth’s 2004 novel The Plot Against America famously imagines what America might have been like had the aviator Charles Lindbergh, a Nazi sympathizer, won the 1940 election for President of the United States. That alternate history is focalized through the experiences of Roth as a young boy – or those that the author-as-character has conceived within this radically altered world, with the real-world Holocaust as backdrop. By identifying a genuine counter-historical potentiality – one that is grounded in actual anti-Semitic insecurities that prevailed at the time, even in the relatively tranquil American context – Roth’s counter-narrative reimagines his actual past by redefining the significance of his identity as a Jew. At the same time, rather than presenting a portrait of “the American Jewish experience” of the period by conceptualizing Jews and Jewish experience monolithically, Roth manages to embrace the complexities and ambiguities of his search for self-definition, of which his Jewishness remains an enigmatic but essential part.
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spelling doaj.art-4d36f0ac024e48e3bba1eef354d774772024-04-02T17:01:09ZdanAalborg University Open PublishingAkademisk Kvarter1904-00082018-11-011710.5278/ojs.ak.v0i17.2507“Memoir” as Counter-NarrativeHoward Sklar Philip Roth’s 2004 novel The Plot Against America famously imagines what America might have been like had the aviator Charles Lindbergh, a Nazi sympathizer, won the 1940 election for President of the United States. That alternate history is focalized through the experiences of Roth as a young boy – or those that the author-as-character has conceived within this radically altered world, with the real-world Holocaust as backdrop. By identifying a genuine counter-historical potentiality – one that is grounded in actual anti-Semitic insecurities that prevailed at the time, even in the relatively tranquil American context – Roth’s counter-narrative reimagines his actual past by redefining the significance of his identity as a Jew. At the same time, rather than presenting a portrait of “the American Jewish experience” of the period by conceptualizing Jews and Jewish experience monolithically, Roth manages to embrace the complexities and ambiguities of his search for self-definition, of which his Jewishness remains an enigmatic but essential part. https://journals.aau.dk/index.php/ak/article/view/2507Jewish, identity, Roth, Holocaust, counter-narrative
spellingShingle Howard Sklar
“Memoir” as Counter-Narrative
Akademisk Kvarter
Jewish, identity, Roth, Holocaust, counter-narrative
title “Memoir” as Counter-Narrative
title_full “Memoir” as Counter-Narrative
title_fullStr “Memoir” as Counter-Narrative
title_full_unstemmed “Memoir” as Counter-Narrative
title_short “Memoir” as Counter-Narrative
title_sort memoir as counter narrative
topic Jewish, identity, Roth, Holocaust, counter-narrative
url https://journals.aau.dk/index.php/ak/article/view/2507
work_keys_str_mv AT howardsklar memoirascounternarrative