THE WATERCOLOR ARTIST AND THE ARCHITECT. Three watercolours by José María Manuel Cortina. Valencia 1868-1950
This paper describes and analyzes three watercolors by the Valencian architect Manuel Cortina (1868-1950) titled Iglesia Parroquial (Parish Church) Casa de Recreo en una posesión de caza. (Country house in a private hunting preserve) and Fuente Monumental. (Monumental Fountain), focusing on the infl...
| Main Authors: | , , |
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| Format: | Article |
| Language: | Spanish |
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Universitat Politècnica de València
2011-10-01
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| Series: | EGA |
| Subjects: | |
| Online Access: | https://polipapers.upv.es/index.php/EGA/article/view/985 |
| Summary: | This paper describes and analyzes three watercolors by the Valencian architect Manuel Cortina (1868-1950) titled Iglesia Parroquial (Parish Church) Casa de Recreo en una posesión de caza. (Country house in a private hunting preserve) and Fuente Monumental. (Monumental Fountain), focusing on the influence of C. N. Ledoux, O. Wagner and E. E. Viollet-le-Duc’s drawings on Cortina’s paintings. The paper also describes this transparent and distant painting method as emblematic of a period, the Belle Époque, and a movement, the Vienna Sezession of the late 19th century, and its photographic, cinematographic and oneiric imagery. |
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| ISSN: | 1133-6137 2254-6103 |