Remboîtage of a Binding: Authenticity and Conservation of "Fifty-two Plates Engraved from Portraits by Van Dyck and Others, 16th - 17th Century"
The present study of the album Fifty-two Plates Engraved from Portraits by Van Dyck and Others, 16th - 17th Century, includes commentaries on the conservation research, the album provenance, bibliographical information, acquisition; details of the conservation treatment: the binding, text block, and...
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| Format: | Article |
| Language: | English |
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Association CeROArt
2021-03-01
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| Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
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| Online Access: | http://journals.openedition.org/ceroart/7138 |
| Summary: | The present study of the album Fifty-two Plates Engraved from Portraits by Van Dyck and Others, 16th - 17th Century, includes commentaries on the conservation research, the album provenance, bibliographical information, acquisition; details of the conservation treatment: the binding, text block, and graphic works consolidation; and it underlines the conservation integration of the historical repairs through contemporary conservation materials applied for stabilization of the album condition and enhancement of the binding flexibility and solidity. |
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| ISSN: | 1784-5092 |