Remboîtage of a Binding: Authenticity and Conservation of "Fifty-two Plates Engraved from Portraits by Van Dyck and Others, 16th - 17th Century"
The present study of the album Fifty-two Plates Engraved from Portraits by Van Dyck and Others, 16th - 17th Century, includes commentaries on the conservation research, the album provenance, bibliographical information, acquisition; details of the conservation treatment: the binding, text block, and...
Main Author: | Malina Belcheva |
---|---|
Format: | Article |
Language: | English |
Published: |
Association CeROArt
2021-03-01
|
Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
Subjects: | |
Online Access: | http://journals.openedition.org/ceroart/7138 |
Similar Items
-
Van Dyck as religious artist /
by: 370611 Martin, John Rupert, et al.
Published: (1979) -
The young Van Dyck’s fingerprint: a technical approach to assess the authenticity of a disputed painting
by: Astrid Harth, et al.
Published: (2017-06-01) -
The Presence of the Imperial Past: Van Dyck’s Equestrian Portrait of Charles V of Spain and the Crisis of Valtellina (1621-1622)
by: Denes Haraí
Published: (2019-12-01) -
Matthäus Merian El Joven, pintor en el taller de Van Dyck: a propósito de un lienzo con Vertumno y Pomona identificado
by: Jahel Sanzsalazar
Published: (2009-09-01) -
Semantic adjustment in Matthew 6:12 in the Smith-Van Dyck Arabic Bible
by: Yuangga K. Yahya, et al.
Published: (2023-11-01)