A Comparative Study of the Relationship of Kant's Theory of the Sublime with Paintings Related to the Images of Mary and Christ in the Byzantine and Gothic Periods
The sublime is at the heart of Kant's aesthetic philosophy. According to Kant it refers to infinite and infinite conceptions such as time, death, space, and the spiritual world; it refers to greatness that is superior to any comparison and beyond any deduction. This marvelous greatness can be a...
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| Format: | Article |
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The Institute of Islamic Art Studies
2019-11-01
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| Series: | هنر اسلامی |
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| Online Access: | http://www.sysislamicartjournal.ir/article_101012_706d1be84e9403f89e067f02605d3b3d.pdf |
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| author | Peyman Alizadeh Oskuie Ismaeel Bani Ardalan Kamran Afshar Mohajer Mohammad Reza Sharif Zadeh Mohammad javad Safian |
| author_facet | Peyman Alizadeh Oskuie Ismaeel Bani Ardalan Kamran Afshar Mohajer Mohammad Reza Sharif Zadeh Mohammad javad Safian |
| author_sort | Peyman Alizadeh Oskuie |
| collection | DOAJ |
| description | The sublime is at the heart of Kant's aesthetic philosophy. According to Kant it refers to infinite and infinite conceptions such as time, death, space, and the spiritual world; it refers to greatness that is superior to any comparison and beyond any deduction. This marvelous greatness can be attributed to moral action, the grandeur of pure thought, or the greatness of natural lords, such as the enormous storm or ocean of infinity, and even the greatness of a work of art. The research is based on a descriptive-analytical method with inductive reasoning and data is collected via library research. The results of the study demonstrate that the theory of the sublime is best presented in the religious church art; moreover, the paintings of the Gothic period compared to the Byzantine period is a representative of this art that undoubtedly remarks Kant's theory of the sublime. |
| first_indexed | 2024-12-20T07:20:07Z |
| format | Article |
| id | doaj.art-4e0a385f67bb4bc0aef24c99dad3cd43 |
| institution | Directory Open Access Journal |
| issn | 1735-708X 2676-7759 |
| language | fas |
| last_indexed | 2024-12-20T07:20:07Z |
| publishDate | 2019-11-01 |
| publisher | The Institute of Islamic Art Studies |
| record_format | Article |
| series | هنر اسلامی |
| spelling | doaj.art-4e0a385f67bb4bc0aef24c99dad3cd432022-12-21T19:48:41ZfasThe Institute of Islamic Art Studiesهنر اسلامی1735-708X2676-77592019-11-011535496910.22034/ias.2019.101012101012A Comparative Study of the Relationship of Kant's Theory of the Sublime with Paintings Related to the Images of Mary and Christ in the Byzantine and Gothic PeriodsPeyman Alizadeh Oskuie0Ismaeel Bani Ardalan1Kamran Afshar Mohajer2Mohammad Reza Sharif Zadeh3Mohammad javad Safian4دانشجوی دکترای فلسفه هنر، دانشکده هنر و معماری ، دانشگاه آزاد اسلامی واحد تهران مرکزیدانشگاه هنر، تهران، ایران...........دانشکده هنر، دانشگاه آزاد اسلامی واحد تهران مرکزی، تهران، ایرانAssociate Professor at at the University of Isfahan. iranThe sublime is at the heart of Kant's aesthetic philosophy. According to Kant it refers to infinite and infinite conceptions such as time, death, space, and the spiritual world; it refers to greatness that is superior to any comparison and beyond any deduction. This marvelous greatness can be attributed to moral action, the grandeur of pure thought, or the greatness of natural lords, such as the enormous storm or ocean of infinity, and even the greatness of a work of art. The research is based on a descriptive-analytical method with inductive reasoning and data is collected via library research. The results of the study demonstrate that the theory of the sublime is best presented in the religious church art; moreover, the paintings of the Gothic period compared to the Byzantine period is a representative of this art that undoubtedly remarks Kant's theory of the sublime.http://www.sysislamicartjournal.ir/article_101012_706d1be84e9403f89e067f02605d3b3d.pdfsublime theorykantgothic paintingbyzantine paintingreligious art |
| spellingShingle | Peyman Alizadeh Oskuie Ismaeel Bani Ardalan Kamran Afshar Mohajer Mohammad Reza Sharif Zadeh Mohammad javad Safian A Comparative Study of the Relationship of Kant's Theory of the Sublime with Paintings Related to the Images of Mary and Christ in the Byzantine and Gothic Periods هنر اسلامی sublime theory kant gothic painting byzantine painting religious art |
| title | A Comparative Study of the Relationship of Kant's Theory of the Sublime with Paintings Related to the Images of Mary and Christ in the Byzantine and Gothic Periods |
| title_full | A Comparative Study of the Relationship of Kant's Theory of the Sublime with Paintings Related to the Images of Mary and Christ in the Byzantine and Gothic Periods |
| title_fullStr | A Comparative Study of the Relationship of Kant's Theory of the Sublime with Paintings Related to the Images of Mary and Christ in the Byzantine and Gothic Periods |
| title_full_unstemmed | A Comparative Study of the Relationship of Kant's Theory of the Sublime with Paintings Related to the Images of Mary and Christ in the Byzantine and Gothic Periods |
| title_short | A Comparative Study of the Relationship of Kant's Theory of the Sublime with Paintings Related to the Images of Mary and Christ in the Byzantine and Gothic Periods |
| title_sort | comparative study of the relationship of kant s theory of the sublime with paintings related to the images of mary and christ in the byzantine and gothic periods |
| topic | sublime theory kant gothic painting byzantine painting religious art |
| url | http://www.sysislamicartjournal.ir/article_101012_706d1be84e9403f89e067f02605d3b3d.pdf |
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