La materia di Elena e del suo doppio: le derive artistiche di un mito

The paper reconsiders some aspects of the ancient legend of Helen, paying particular attention to her divine origin continued in the Spartan and Laconian traditions, which were collected and elaborated by the poet Stesichorus in two different versions of his Palinodia. Here he said that Proteus kept...

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Main Author: Elisabetta Matelli
Format: Article
Language:English
Published: Milano University Press 2015-04-01
Series:Itinera
Online Access:https://riviste.unimi.it/index.php/itinera/article/view/4789
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author Elisabetta Matelli
author_facet Elisabetta Matelli
author_sort Elisabetta Matelli
collection DOAJ
description The paper reconsiders some aspects of the ancient legend of Helen, paying particular attention to her divine origin continued in the Spartan and Laconian traditions, which were collected and elaborated by the poet Stesichorus in two different versions of his Palinodia. Here he said that Proteus kept Helen in Aegypt giving to Paris / Alexander an eidôlon of Helen in her substitution. The author wonders about the matter of this eidôlon. The ‘drift’ of this myth is then considered in relationship with the history of visual arts, that seems to have been influenced by the fame of Helen’s beauty from Parrasios and Zeuxis’s time until modern age, in strict connections with its literary afterlife.
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spelling doaj.art-4e2f7cbfceb94a3da88175aa2ebc09ae2023-09-02T14:44:12ZengMilano University PressItinera2039-92512015-04-01910.13130/2039-9251/4789La materia di Elena e del suo doppio: le derive artistiche di un mitoElisabetta Matelli0Università Cattolica del Sacro Cuore di MilanoThe paper reconsiders some aspects of the ancient legend of Helen, paying particular attention to her divine origin continued in the Spartan and Laconian traditions, which were collected and elaborated by the poet Stesichorus in two different versions of his Palinodia. Here he said that Proteus kept Helen in Aegypt giving to Paris / Alexander an eidôlon of Helen in her substitution. The author wonders about the matter of this eidôlon. The ‘drift’ of this myth is then considered in relationship with the history of visual arts, that seems to have been influenced by the fame of Helen’s beauty from Parrasios and Zeuxis’s time until modern age, in strict connections with its literary afterlife.https://riviste.unimi.it/index.php/itinera/article/view/4789
spellingShingle Elisabetta Matelli
La materia di Elena e del suo doppio: le derive artistiche di un mito
Itinera
title La materia di Elena e del suo doppio: le derive artistiche di un mito
title_full La materia di Elena e del suo doppio: le derive artistiche di un mito
title_fullStr La materia di Elena e del suo doppio: le derive artistiche di un mito
title_full_unstemmed La materia di Elena e del suo doppio: le derive artistiche di un mito
title_short La materia di Elena e del suo doppio: le derive artistiche di un mito
title_sort la materia di elena e del suo doppio le derive artistiche di un mito
url https://riviste.unimi.it/index.php/itinera/article/view/4789
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