What’s Wrong with the (White) Female Nude?

In “What’s Wrong with the (Female) Nude?” A. W. Eaton argues that the female nude in Western art promotes sexually objectifying, heteronormative erotic taste, and thereby has insidious effects on gender equality. In this response, I reject the claim that sexual objectification is a phenomenon that c...

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Main Author: Zoey Lavallee
Format: Article
Language:deu
Published: Institute of Philosophy of the Jagiellonian University 2016-06-01
Series:The Polish Journal of Aesthetics
Subjects:
Online Access:https://pjaesthetics.uj.edu.pl/documents/138618288/138826957/eik_41_4.pdf/aab1ceb2-c6d3-4692-ad30-cb220fbb2da2
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author Zoey Lavallee
author_facet Zoey Lavallee
author_sort Zoey Lavallee
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description In “What’s Wrong with the (Female) Nude?” A. W. Eaton argues that the female nude in Western art promotes sexually objectifying, heteronormative erotic taste, and thereby has insidious effects on gender equality. In this response, I reject the claim that sexual objectification is a phenomenon that can be generalized across the experiences of all women. In particular, I argue that Eaton’s thesis is based on the experiences of women who are white, and does not pay adequate attention to the lives of nonwhite women. This act of exclusion undermines the generality of Eaton’s thesis, and exposes a more general bias in discussions of female representations in art. Different kinds of bodies have been subjected to different kinds of objectifying construal, and the ethics of nudity in art must be extended to take such variation into account.
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spelling doaj.art-4e492eb0be3a4ca790505ec034777af22022-12-21T17:43:34ZdeuInstitute of Philosophy of the Jagiellonian UniversityThe Polish Journal of Aesthetics2544-82422544-82422016-06-01412/2016779710.19205/41.16.4What’s Wrong with the (White) Female Nude?Zoey Lavallee0The City University of New YorkIn “What’s Wrong with the (Female) Nude?” A. W. Eaton argues that the female nude in Western art promotes sexually objectifying, heteronormative erotic taste, and thereby has insidious effects on gender equality. In this response, I reject the claim that sexual objectification is a phenomenon that can be generalized across the experiences of all women. In particular, I argue that Eaton’s thesis is based on the experiences of women who are white, and does not pay adequate attention to the lives of nonwhite women. This act of exclusion undermines the generality of Eaton’s thesis, and exposes a more general bias in discussions of female representations in art. Different kinds of bodies have been subjected to different kinds of objectifying construal, and the ethics of nudity in art must be extended to take such variation into account.https://pjaesthetics.uj.edu.pl/documents/138618288/138826957/eik_41_4.pdf/aab1ceb2-c6d3-4692-ad30-cb220fbb2da2female nudeart historycontemporary artsexual objectificationbiasnudityracewhiteness
spellingShingle Zoey Lavallee
What’s Wrong with the (White) Female Nude?
The Polish Journal of Aesthetics
female nude
art history
contemporary art
sexual objectification
bias
nudity
race
whiteness
title What’s Wrong with the (White) Female Nude?
title_full What’s Wrong with the (White) Female Nude?
title_fullStr What’s Wrong with the (White) Female Nude?
title_full_unstemmed What’s Wrong with the (White) Female Nude?
title_short What’s Wrong with the (White) Female Nude?
title_sort what s wrong with the white female nude
topic female nude
art history
contemporary art
sexual objectification
bias
nudity
race
whiteness
url https://pjaesthetics.uj.edu.pl/documents/138618288/138826957/eik_41_4.pdf/aab1ceb2-c6d3-4692-ad30-cb220fbb2da2
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