From Judas' suicide to Pármeno's jump: avarice, betrayal and mortal falls

The article aims to study the influence of Judas Iscariot’s motifs of betrayal and suicide on the mortal falls of four main characters in La Celestina. Judas embodies, better than any other biblical character, the sinner’s progress from loyalty and be-trayal to despair and suicidal death. The litera...

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Main Author: Rafael Beltrán
Format: Article
Language:English
Published: Universidad de Valencia, Departamento de Filología Española 2021-01-01
Series:Celestinesca
Subjects:
Online Access:https://ojs.uv.es/index.php/celestinesca/article/view/19428
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author Rafael Beltrán
author_facet Rafael Beltrán
author_sort Rafael Beltrán
collection DOAJ
description The article aims to study the influence of Judas Iscariot’s motifs of betrayal and suicide on the mortal falls of four main characters in La Celestina. Judas embodies, better than any other biblical character, the sinner’s progress from loyalty and be-trayal to despair and suicidal death. The literary and iconographic figures of the greed, the betrayal and the suicide of Judas in the Middle Ages are examined, fo-cusing on the two types of suicide reflected in the Bible. Accidental falls (Calisto), fatal leaps (Sempronio and Pármeno) and suicide (Melibea) are analysed, together with the images representing the betrayal (the bag of coins). Finally, Pármeno’s life, similarly to that of Judas, is studied since it goes from the fidelity of the good servant, through greed and betrayal, to a mortal jump into the void.
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spelling doaj.art-4ea10474869342a192ddec7f82ed539b2024-02-02T06:56:12ZengUniversidad de Valencia, Departamento de Filología EspañolaCelestinesca0147-30852695-71832021-01-0144098010.7203/Celestinesca.44.1942814054From Judas' suicide to Pármeno's jump: avarice, betrayal and mortal fallsRafael Beltrán0<p>Universitat de Val&egrave;ncia</p>The article aims to study the influence of Judas Iscariot’s motifs of betrayal and suicide on the mortal falls of four main characters in La Celestina. Judas embodies, better than any other biblical character, the sinner’s progress from loyalty and be-trayal to despair and suicidal death. The literary and iconographic figures of the greed, the betrayal and the suicide of Judas in the Middle Ages are examined, fo-cusing on the two types of suicide reflected in the Bible. Accidental falls (Calisto), fatal leaps (Sempronio and Pármeno) and suicide (Melibea) are analysed, together with the images representing the betrayal (the bag of coins). Finally, Pármeno’s life, similarly to that of Judas, is studied since it goes from the fidelity of the good servant, through greed and betrayal, to a mortal jump into the void.https://ojs.uv.es/index.php/celestinesca/article/view/19428la celestinajudaspármenosuicidiotraicióncaídas mortales
spellingShingle Rafael Beltrán
From Judas' suicide to Pármeno's jump: avarice, betrayal and mortal falls
Celestinesca
la celestina
judas
pármeno
suicidio
traición
caídas mortales
title From Judas' suicide to Pármeno's jump: avarice, betrayal and mortal falls
title_full From Judas' suicide to Pármeno's jump: avarice, betrayal and mortal falls
title_fullStr From Judas' suicide to Pármeno's jump: avarice, betrayal and mortal falls
title_full_unstemmed From Judas' suicide to Pármeno's jump: avarice, betrayal and mortal falls
title_short From Judas' suicide to Pármeno's jump: avarice, betrayal and mortal falls
title_sort from judas suicide to parmeno s jump avarice betrayal and mortal falls
topic la celestina
judas
pármeno
suicidio
traición
caídas mortales
url https://ojs.uv.es/index.php/celestinesca/article/view/19428
work_keys_str_mv AT rafaelbeltran fromjudassuicidetoparmenosjumpavaricebetrayalandmortalfalls