Discovery or invention? The difference between art and communication according to Ernst Gombrich

This paper sets out to explore the boundaries between artworks and advertising works in line with the thinking of Ernst Gombrich. His distinction between art and other forms of communication emphasises the importance of ‘discovery’ as opposed to mere ‘invention’. What are the symptoms of an artwork...

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Main Author: Tiziana Migliore
Format: Article
Language:English
Published: Department of Art History, University of Birmingham 2011-12-01
Series:Journal of Art Historiography
Subjects:
Online Access:http://arthistoriography.files.wordpress.com/2011/12/migliore.pdf
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author Tiziana Migliore
author_facet Tiziana Migliore
author_sort Tiziana Migliore
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description This paper sets out to explore the boundaries between artworks and advertising works in line with the thinking of Ernst Gombrich. His distinction between art and other forms of communication emphasises the importance of ‘discovery’ as opposed to mere ‘invention’. What are the symptoms of an artwork according to Gombrich? The difference with advertising is not ontological at all: anything that comes out of the artist’s top hat and is traded between dealers, gallery owners and collectors is art, whereas any graphic work produced for communication purposes and conveyed by the media is propaganda. Ultimately the most valid distinction lies in the modality and the internal dynamics of the artwork itself. By re-examining some examples provided by Gombrich – from the colour of light in John Constable to Giulio Romano’s Palazzo Te, from Raphael’s Madonna della sedia to Saul Steinberg’s work – this paper delves further into an issue not comprehensively dealt with by Gombrich and whose importance is still underestimated.
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spelling doaj.art-4eb0f9a2f0a3492b8f5018cbb92672292022-12-21T17:33:18ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522011-12-0155TM/1Discovery or invention? The difference between art and communication according to Ernst GombrichTiziana MiglioreThis paper sets out to explore the boundaries between artworks and advertising works in line with the thinking of Ernst Gombrich. His distinction between art and other forms of communication emphasises the importance of ‘discovery’ as opposed to mere ‘invention’. What are the symptoms of an artwork according to Gombrich? The difference with advertising is not ontological at all: anything that comes out of the artist’s top hat and is traded between dealers, gallery owners and collectors is art, whereas any graphic work produced for communication purposes and conveyed by the media is propaganda. Ultimately the most valid distinction lies in the modality and the internal dynamics of the artwork itself. By re-examining some examples provided by Gombrich – from the colour of light in John Constable to Giulio Romano’s Palazzo Te, from Raphael’s Madonna della sedia to Saul Steinberg’s work – this paper delves further into an issue not comprehensively dealt with by Gombrich and whose importance is still underestimated.http://arthistoriography.files.wordpress.com/2011/12/migliore.pdfsymptomsrhetoricsemioticsSteinberg
spellingShingle Tiziana Migliore
Discovery or invention? The difference between art and communication according to Ernst Gombrich
Journal of Art Historiography
symptoms
rhetoric
semiotics
Steinberg
title Discovery or invention? The difference between art and communication according to Ernst Gombrich
title_full Discovery or invention? The difference between art and communication according to Ernst Gombrich
title_fullStr Discovery or invention? The difference between art and communication according to Ernst Gombrich
title_full_unstemmed Discovery or invention? The difference between art and communication according to Ernst Gombrich
title_short Discovery or invention? The difference between art and communication according to Ernst Gombrich
title_sort discovery or invention the difference between art and communication according to ernst gombrich
topic symptoms
rhetoric
semiotics
Steinberg
url http://arthistoriography.files.wordpress.com/2011/12/migliore.pdf
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