Paul Cézanne e lo statuto della pittura
On the basis of a remark made by Giorgio Morandi on his own journey in the world of art, the essay aims to clarify the revolutionary significance of the method that underlies the plastic representation in Paul Cézanne and the contribution it has provided to the definition of the statute of painting...
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| Format: | Article |
| Language: | English |
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Milano University Press
2021-08-01
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| Series: | Itinera |
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| Online Access: | https://riviste.unimi.it/index.php/itinera/article/view/16110 |
| _version_ | 1797727925917712384 |
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| author | Stefano Esengrini |
| author_facet | Stefano Esengrini |
| author_sort | Stefano Esengrini |
| collection | DOAJ |
| description | On the basis of a remark made by Giorgio Morandi on his own journey in the world of art, the essay aims to clarify the revolutionary significance of the method that underlies the plastic representation in Paul Cézanne and the contribution it has provided to the definition of the statute of painting in the twentieth century (color field painting). The analysis of the interpretations of Cézanne’s work by David Herbert Lawrence, Rainer Maria Rilke and Peter Handke thus has the merit of showing the nature of the need for truth that guided Cézanne in the choice of oil or watercolour as material capable from time to time of explaining the fundamental difference that exists between the movement with which a being discloses itself into the wide open and its presence as a fact here at hand. |
| first_indexed | 2024-03-12T11:06:24Z |
| format | Article |
| id | doaj.art-4edba2ce82054f73847b277dfe595d8c |
| institution | Directory Open Access Journal |
| issn | 2039-9251 |
| language | English |
| last_indexed | 2024-03-12T11:06:24Z |
| publishDate | 2021-08-01 |
| publisher | Milano University Press |
| record_format | Article |
| series | Itinera |
| spelling | doaj.art-4edba2ce82054f73847b277dfe595d8c2023-09-02T03:41:32ZengMilano University PressItinera2039-92512021-08-0121Paul Cézanne e lo statuto della pitturaStefano Esengrini0Università Cattolica del Sacro Cuore di MilanoOn the basis of a remark made by Giorgio Morandi on his own journey in the world of art, the essay aims to clarify the revolutionary significance of the method that underlies the plastic representation in Paul Cézanne and the contribution it has provided to the definition of the statute of painting in the twentieth century (color field painting). The analysis of the interpretations of Cézanne’s work by David Herbert Lawrence, Rainer Maria Rilke and Peter Handke thus has the merit of showing the nature of the need for truth that guided Cézanne in the choice of oil or watercolour as material capable from time to time of explaining the fundamental difference that exists between the movement with which a being discloses itself into the wide open and its presence as a fact here at hand.https://riviste.unimi.it/index.php/itinera/article/view/16110Paul Cézanne, Giorgio Morandi, painting, watercolour, color field painting |
| spellingShingle | Stefano Esengrini Paul Cézanne e lo statuto della pittura Itinera Paul Cézanne, Giorgio Morandi, painting, watercolour, color field painting |
| title | Paul Cézanne e lo statuto della pittura |
| title_full | Paul Cézanne e lo statuto della pittura |
| title_fullStr | Paul Cézanne e lo statuto della pittura |
| title_full_unstemmed | Paul Cézanne e lo statuto della pittura |
| title_short | Paul Cézanne e lo statuto della pittura |
| title_sort | paul cezanne e lo statuto della pittura |
| topic | Paul Cézanne, Giorgio Morandi, painting, watercolour, color field painting |
| url | https://riviste.unimi.it/index.php/itinera/article/view/16110 |
| work_keys_str_mv | AT stefanoesengrini paulcezanneelostatutodellapittura |