SHOAH: CATASTROPHE AND REPRESENTATION
On the basis of an analysis of the film Shoah, by Claude Lanzmann, as well as of Paul Celan's poetry, this essay discusses problematic modalities of representation in contemporary culture. For many contemporary artists, the denial of representation is the only means not to betray an experience...
| Main Author: | |
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| Format: | Article |
| Language: | Portuguese |
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Universidade Federal Fluminense
2004-07-01
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| Series: | Gragoatá |
| Subjects: | |
| Online Access: | http://www.gragoata.uff.br/index.php/gragoata/article/view/574 |
| _version_ | 1818844577810874368 |
|---|---|
| author | Arthur Nestrovski |
| author_facet | Arthur Nestrovski |
| author_sort | Arthur Nestrovski |
| collection | DOAJ |
| description | On the basis of an analysis of the film Shoah, by Claude Lanzmann, as well as of Paul Celan's poetry, this essay discusses problematic modalities of representation in contemporary culture. For many contemporary artists, the denial of representation is the only means not to betray an experience which demands and, at the same time, resists interpretation. The study of such kinds of poetry and film will lead us to a conflicting domain between art and history. |
| first_indexed | 2024-12-19T05:15:59Z |
| format | Article |
| id | doaj.art-4f3c07958e1e44fdbe9f9c64a2ec7e7e |
| institution | Directory Open Access Journal |
| issn | 1413-9073 2358-4114 |
| language | Portuguese |
| last_indexed | 2024-12-19T05:15:59Z |
| publishDate | 2004-07-01 |
| publisher | Universidade Federal Fluminense |
| record_format | Article |
| series | Gragoatá |
| spelling | doaj.art-4f3c07958e1e44fdbe9f9c64a2ec7e7e2022-12-21T20:34:39ZporUniversidade Federal FluminenseGragoatá1413-90732358-41142004-07-01916401SHOAH: CATASTROPHE AND REPRESENTATIONArthur Nestrovski0PUC-SPOn the basis of an analysis of the film Shoah, by Claude Lanzmann, as well as of Paul Celan's poetry, this essay discusses problematic modalities of representation in contemporary culture. For many contemporary artists, the denial of representation is the only means not to betray an experience which demands and, at the same time, resists interpretation. The study of such kinds of poetry and film will lead us to a conflicting domain between art and history.http://www.gragoata.uff.br/index.php/gragoata/article/view/574holocausto, Celan, Lanzmann, representação. |
| spellingShingle | Arthur Nestrovski SHOAH: CATASTROPHE AND REPRESENTATION Gragoatá holocausto, Celan, Lanzmann, representação. |
| title | SHOAH: CATASTROPHE AND REPRESENTATION |
| title_full | SHOAH: CATASTROPHE AND REPRESENTATION |
| title_fullStr | SHOAH: CATASTROPHE AND REPRESENTATION |
| title_full_unstemmed | SHOAH: CATASTROPHE AND REPRESENTATION |
| title_short | SHOAH: CATASTROPHE AND REPRESENTATION |
| title_sort | shoah catastrophe and representation |
| topic | holocausto, Celan, Lanzmann, representação. |
| url | http://www.gragoata.uff.br/index.php/gragoata/article/view/574 |
| work_keys_str_mv | AT arthurnestrovski shoahcatastropheandrepresentation |