"Partout l’œil explose". Sartre e i saggi sulle arti figurative

This text focuses on the essays that Sartre wrote in the late 40s and early 70s on a series of artists including  Giacometti, Calder, Tintoretto, Wols, Rebeyrolles etc. Our analysis aims to demonstrate how the phenomenological language and approach remain present and operative in Sartre’s writing ev...

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Main Author: Giuseppe Crivella
Format: Article
Language:English
Published: Firenze University Press 2020-12-01
Series:Lea
Subjects:
Online Access:https://oajournals.fupress.net/index.php/bsfm-lea/article/view/10993
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author Giuseppe Crivella
author_facet Giuseppe Crivella
author_sort Giuseppe Crivella
collection DOAJ
description This text focuses on the essays that Sartre wrote in the late 40s and early 70s on a series of artists including  Giacometti, Calder, Tintoretto, Wols, Rebeyrolles etc. Our analysis aims to demonstrate how the phenomenological language and approach remain present and operative in Sartre’s writing even at a very advanced stage of its production. In particular we will examine two essays on the sculptures of Giacometti and Calder and then examine the writings that Sartre devoted to Tintoretto. In this way, we will be able to see phenomenology is still a conceptual tool that allows Sartre to elaborate a type of relationship with images that seems to anticipate the theses of Lyotard and, later, Didi-Huberman and many others.
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spelling doaj.art-4f3dde61c6724f6a89b03f0f029968482022-12-22T03:37:17ZengFirenze University PressLea1824-484X2020-12-018810.13128/lea-1824-484x-10993"Partout l’œil explose". Sartre e i saggi sulle arti figurativeGiuseppe Crivella0Université Paris-X NanterreThis text focuses on the essays that Sartre wrote in the late 40s and early 70s on a series of artists including  Giacometti, Calder, Tintoretto, Wols, Rebeyrolles etc. Our analysis aims to demonstrate how the phenomenological language and approach remain present and operative in Sartre’s writing even at a very advanced stage of its production. In particular we will examine two essays on the sculptures of Giacometti and Calder and then examine the writings that Sartre devoted to Tintoretto. In this way, we will be able to see phenomenology is still a conceptual tool that allows Sartre to elaborate a type of relationship with images that seems to anticipate the theses of Lyotard and, later, Didi-Huberman and many others.https://oajournals.fupress.net/index.php/bsfm-lea/article/view/10993CalderGiacomettiJean-Paul SartrephenomenologyTintoretto
spellingShingle Giuseppe Crivella
"Partout l’œil explose". Sartre e i saggi sulle arti figurative
Lea
Calder
Giacometti
Jean-Paul Sartre
phenomenology
Tintoretto
title "Partout l’œil explose". Sartre e i saggi sulle arti figurative
title_full "Partout l’œil explose". Sartre e i saggi sulle arti figurative
title_fullStr "Partout l’œil explose". Sartre e i saggi sulle arti figurative
title_full_unstemmed "Partout l’œil explose". Sartre e i saggi sulle arti figurative
title_short "Partout l’œil explose". Sartre e i saggi sulle arti figurative
title_sort partout l oeil explose sartre e i saggi sulle arti figurative
topic Calder
Giacometti
Jean-Paul Sartre
phenomenology
Tintoretto
url https://oajournals.fupress.net/index.php/bsfm-lea/article/view/10993
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