Gore vidal's early Hollywood: history, fiction and film Gore vidal's early Hollywood: history, fiction and film

Although Gore Vidal has both worked as a Hollywood screenwriter and written criticism on Film—in this regard, he is perhaps best known for a sustained attack on the auteur theory of the magisterial director—I am concerned in this paper mainly with his fiction account of the early days of film-making...

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Main Author: Thomas LaBorie Burns
Format: Article
Language:English
Published: Universidade Federal de Santa Catarina 2008-04-01
Series:Ilha do Desterro
Subjects:
Online Access:http://www.periodicos.ufsc.br/index.php/desterro/article/view/9204
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author Thomas LaBorie Burns
author_facet Thomas LaBorie Burns
author_sort Thomas LaBorie Burns
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description Although Gore Vidal has both worked as a Hollywood screenwriter and written criticism on Film—in this regard, he is perhaps best known for a sustained attack on the auteur theory of the magisterial director—I am concerned in this paper mainly with his fiction account of the early days of film-making in his novel Hollywood (1990) and the relation of film to national political life depicted therein. This novel is the sixth in a series that gives a more or less continuous historical picture of the social and political history of the US from colonial times to the present. “Political” for Vidal, however, means primarily the acts of statesmen, diplomats, and high-ranking military personnel, and the social history he presents is that of the upper-class which supplies their ranks, so that what Vidal is in fact offering in these six novels is what
 one might call the history of the American “movers-and-shakers”. Although Gore Vidal has both worked as a Hollywood screenwriter and written criticism on Film—in this regard, he is perhaps best known for a sustained attack on the auteur theory of the magisterial director—I am concerned in this paper mainly with his fiction account of the early days of film-making in his novel Hollywood (1990) and the relation of film to national political life depicted therein. This novel is the sixth in a series that gives a more or less continuous historical picture of the social and political history of the US from colonial times to the present. “Political” for Vidal, however, means primarily the acts of statesmen, diplomats, and high-ranking military personnel, and the social history he presents is that of the upper-class which supplies their ranks, so that what Vidal is in fact offering in these six novels is what
 one might call the history of the American “movers-and-shakers”.
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spelling doaj.art-4f84746ade0147c793d79873731eccee2022-12-22T01:44:21ZengUniversidade Federal de Santa CatarinaIlha do Desterro0101-48462175-80262008-04-01032099112Gore vidal's early Hollywood: history, fiction and film Gore vidal's early Hollywood: history, fiction and filmThomas LaBorie BurnsAlthough Gore Vidal has both worked as a Hollywood screenwriter and written criticism on Film—in this regard, he is perhaps best known for a sustained attack on the auteur theory of the magisterial director—I am concerned in this paper mainly with his fiction account of the early days of film-making in his novel Hollywood (1990) and the relation of film to national political life depicted therein. This novel is the sixth in a series that gives a more or less continuous historical picture of the social and political history of the US from colonial times to the present. “Political” for Vidal, however, means primarily the acts of statesmen, diplomats, and high-ranking military personnel, and the social history he presents is that of the upper-class which supplies their ranks, so that what Vidal is in fact offering in these six novels is what
 one might call the history of the American “movers-and-shakers”. Although Gore Vidal has both worked as a Hollywood screenwriter and written criticism on Film—in this regard, he is perhaps best known for a sustained attack on the auteur theory of the magisterial director—I am concerned in this paper mainly with his fiction account of the early days of film-making in his novel Hollywood (1990) and the relation of film to national political life depicted therein. This novel is the sixth in a series that gives a more or less continuous historical picture of the social and political history of the US from colonial times to the present. “Political” for Vidal, however, means primarily the acts of statesmen, diplomats, and high-ranking military personnel, and the social history he presents is that of the upper-class which supplies their ranks, so that what Vidal is in fact offering in these six novels is what
 one might call the history of the American “movers-and-shakers”.http://www.periodicos.ufsc.br/index.php/desterro/article/view/9204English LanguageEnglish
spellingShingle Thomas LaBorie Burns
Gore vidal's early Hollywood: history, fiction and film Gore vidal's early Hollywood: history, fiction and film
Ilha do Desterro
English Language
English
title Gore vidal's early Hollywood: history, fiction and film Gore vidal's early Hollywood: history, fiction and film
title_full Gore vidal's early Hollywood: history, fiction and film Gore vidal's early Hollywood: history, fiction and film
title_fullStr Gore vidal's early Hollywood: history, fiction and film Gore vidal's early Hollywood: history, fiction and film
title_full_unstemmed Gore vidal's early Hollywood: history, fiction and film Gore vidal's early Hollywood: history, fiction and film
title_short Gore vidal's early Hollywood: history, fiction and film Gore vidal's early Hollywood: history, fiction and film
title_sort gore vidal s early hollywood history fiction and film gore vidal s early hollywood history fiction and film
topic English Language
English
url http://www.periodicos.ufsc.br/index.php/desterro/article/view/9204
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