Shakespeare’s Eternal Voice: Fictional autobiographies of the Bard

The paper focuses on two fictional works that strive to revive Shakespeare's voice, that is Christopher Rush's "Will" (2007), and J. P. Wearing's ÒThe Shakespeare's Diaries: A Fictional Autobiography" (2007), which although significantly different in terms of form...

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Main Author: Tomasz Kowalski
Format: Article
Language:English
Published: Milano University Press 2017-11-01
Series:Altre Modernità
Subjects:
Online Access:https://riviste.unimi.it/index.php/AMonline/article/view/9176
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author Tomasz Kowalski
author_facet Tomasz Kowalski
author_sort Tomasz Kowalski
collection DOAJ
description The paper focuses on two fictional works that strive to revive Shakespeare's voice, that is Christopher Rush's "Will" (2007), and J. P. Wearing's ÒThe Shakespeare's Diaries: A Fictional Autobiography" (2007), which although significantly different in terms of form find common ground in employing the first-person narrative in order to depict Shakespeare's life. The author analyses the image of the Bard that emerges from the novel and the diary, and the way in which both works transform the facts known from certain documents or based on extensive research into a fictional narrative. He argues that although both works try to satisfy the curiosity of the readers, they belong to two different types of representations found in fictional biographies of the Bard, and therefore the images they create address different kinds of collective desires and fantasies of the mass audience.
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spelling doaj.art-4f87e3ba5c57410da652b6fbfaf3de472023-09-02T23:45:15ZengMilano University PressAltre Modernità2035-76802017-11-0100364510.13130/2035-7680/91767851Shakespeare’s Eternal Voice: Fictional autobiographies of the BardTomasz Kowalski0Adam Mickiewicz UniversityThe paper focuses on two fictional works that strive to revive Shakespeare's voice, that is Christopher Rush's "Will" (2007), and J. P. Wearing's ÒThe Shakespeare's Diaries: A Fictional Autobiography" (2007), which although significantly different in terms of form find common ground in employing the first-person narrative in order to depict Shakespeare's life. The author analyses the image of the Bard that emerges from the novel and the diary, and the way in which both works transform the facts known from certain documents or based on extensive research into a fictional narrative. He argues that although both works try to satisfy the curiosity of the readers, they belong to two different types of representations found in fictional biographies of the Bard, and therefore the images they create address different kinds of collective desires and fantasies of the mass audience.https://riviste.unimi.it/index.php/AMonline/article/view/9176Shakespeare, Williamfictional autobiographybiographybiofictionsRush, ChristopherWearing J. P.
spellingShingle Tomasz Kowalski
Shakespeare’s Eternal Voice: Fictional autobiographies of the Bard
Altre Modernità
Shakespeare, William
fictional autobiography
biography
biofictions
Rush, Christopher
Wearing J. P.
title Shakespeare’s Eternal Voice: Fictional autobiographies of the Bard
title_full Shakespeare’s Eternal Voice: Fictional autobiographies of the Bard
title_fullStr Shakespeare’s Eternal Voice: Fictional autobiographies of the Bard
title_full_unstemmed Shakespeare’s Eternal Voice: Fictional autobiographies of the Bard
title_short Shakespeare’s Eternal Voice: Fictional autobiographies of the Bard
title_sort shakespeare s eternal voice fictional autobiographies of the bard
topic Shakespeare, William
fictional autobiography
biography
biofictions
Rush, Christopher
Wearing J. P.
url https://riviste.unimi.it/index.php/AMonline/article/view/9176
work_keys_str_mv AT tomaszkowalski shakespeareseternalvoicefictionalautobiographiesofthebard