Vers un cinéma interactif
Inaugurated with the Kinoautomat in 1967, interactive cinema is finally accessible to everyone. This article examines the particularities of these films who are played in a non-linear fashion and are adaptive to the viewers. By taking into account instantaneously the decisions of the audience, are t...
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Format: | Article |
Language: | fra |
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Laboratoire Interdisciplinaire Récits Cultures Et Sociétés
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Series: | Cahiers de Narratologie |
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Online Access: | https://journals.openedition.org/narratologie/7259 |
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author | Michael Lew |
author_facet | Michael Lew |
author_sort | Michael Lew |
collection | DOAJ |
description | Inaugurated with the Kinoautomat in 1967, interactive cinema is finally accessible to everyone. This article examines the particularities of these films who are played in a non-linear fashion and are adaptive to the viewers. By taking into account instantaneously the decisions of the audience, are they an accomplishment of the cybernetic promise ?Through an illustrated case study, we introduce some useful notions in order to extend the field of contemporary narratology to the study of these new artworks. |
first_indexed | 2024-03-08T02:52:59Z |
format | Article |
id | doaj.art-4fbe9302c68f4853926feb67c2af7448 |
institution | Directory Open Access Journal |
issn | 0993-8516 1765-307X |
language | fra |
last_indexed | 2024-03-08T02:52:59Z |
publisher | Laboratoire Interdisciplinaire Récits Cultures Et Sociétés |
record_format | Article |
series | Cahiers de Narratologie |
spelling | doaj.art-4fbe9302c68f4853926feb67c2af74482024-02-13T13:08:15ZfraLaboratoire Interdisciplinaire Récits Cultures Et SociétésCahiers de Narratologie0993-85161765-307X2810.4000/narratologie.7259Vers un cinéma interactifMichael LewInaugurated with the Kinoautomat in 1967, interactive cinema is finally accessible to everyone. This article examines the particularities of these films who are played in a non-linear fashion and are adaptive to the viewers. By taking into account instantaneously the decisions of the audience, are they an accomplishment of the cybernetic promise ?Through an illustrated case study, we introduce some useful notions in order to extend the field of contemporary narratology to the study of these new artworks.https://journals.openedition.org/narratologie/7259aestheticsart historysemiologylanguage sciencescommunication sciencesinteractive cinema |
spellingShingle | Michael Lew Vers un cinéma interactif Cahiers de Narratologie aesthetics art history semiology language sciences communication sciences interactive cinema |
title | Vers un cinéma interactif |
title_full | Vers un cinéma interactif |
title_fullStr | Vers un cinéma interactif |
title_full_unstemmed | Vers un cinéma interactif |
title_short | Vers un cinéma interactif |
title_sort | vers un cinema interactif |
topic | aesthetics art history semiology language sciences communication sciences interactive cinema |
url | https://journals.openedition.org/narratologie/7259 |
work_keys_str_mv | AT michaellew versuncinemainteractif |