Realistic vs romantic: the imagistic world of post-war English literature

The short story ¡s the genre which has come closest to representing the most poetic aspects of post-Second World War English literature, not only for its linguistic and stylistic concentration, but also for its imagistic world, in which the realistic contrasts with the romantic. Nevertheless, there...

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Main Author: Álvarez Calleja, María Antonia
Format: Article
Language:English
Published: Universidad de Alicante 1996-11-01
Series:Revista Alicantina de Estudios Ingleses
Online Access:https://raei.ua.es/article/view/1996-n9-realistic-vs-romantic-the-imagistic-world-of-post-war-english-literature
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author Álvarez Calleja, María Antonia
author_facet Álvarez Calleja, María Antonia
author_sort Álvarez Calleja, María Antonia
collection DOAJ
description The short story ¡s the genre which has come closest to representing the most poetic aspects of post-Second World War English literature, not only for its linguistic and stylistic concentration, but also for its imagistic world, in which the realistic contrasts with the romantic. Nevertheless, there is a transference from the classic literary images to a modern alternative. On the other hand, since 1945 writers have been preoccupied with the quest for self—a search for identity, an effort on the part of the heroes and heroines to understand and define who or what they are. In fact, the term identity plays a central role in virtually every judgment or opinion of the post-war literary scene.
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spelling doaj.art-50423b50e88c412eb0d3cb3079d7c74d2022-12-21T23:36:10ZengUniversidad de AlicanteRevista Alicantina de Estudios Ingleses0214-48082171-861X1996-11-019710.14198/raei.1996.9.014489Realistic vs romantic: the imagistic world of post-war English literatureÁlvarez Calleja, María AntoniaThe short story ¡s the genre which has come closest to representing the most poetic aspects of post-Second World War English literature, not only for its linguistic and stylistic concentration, but also for its imagistic world, in which the realistic contrasts with the romantic. Nevertheless, there is a transference from the classic literary images to a modern alternative. On the other hand, since 1945 writers have been preoccupied with the quest for self—a search for identity, an effort on the part of the heroes and heroines to understand and define who or what they are. In fact, the term identity plays a central role in virtually every judgment or opinion of the post-war literary scene.https://raei.ua.es/article/view/1996-n9-realistic-vs-romantic-the-imagistic-world-of-post-war-english-literature
spellingShingle Álvarez Calleja, María Antonia
Realistic vs romantic: the imagistic world of post-war English literature
Revista Alicantina de Estudios Ingleses
title Realistic vs romantic: the imagistic world of post-war English literature
title_full Realistic vs romantic: the imagistic world of post-war English literature
title_fullStr Realistic vs romantic: the imagistic world of post-war English literature
title_full_unstemmed Realistic vs romantic: the imagistic world of post-war English literature
title_short Realistic vs romantic: the imagistic world of post-war English literature
title_sort realistic vs romantic the imagistic world of post war english literature
url https://raei.ua.es/article/view/1996-n9-realistic-vs-romantic-the-imagistic-world-of-post-war-english-literature
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