Senses and sensuality: Synesthetic imagery in the Siculo-Arabic ghazal poems

Numerous examples of ghazal poems include metaphorical images describing the altered body of the lover. The yearning for love, passion, disappointment, languish: each stage of the love affair can change the lover appearance. Even more, the alteration can affect also his perception of the beloved bo...

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Main Author: Ilenia Licitra
Format: Article
Language:English
Published: Università degli Studi di Torino 2023-06-01
Series:Kervan. International Journal of Afro-Asiatic Studies
Online Access:https://ojs.unito.it/index.php/kervan/article/view/7701
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author Ilenia Licitra
author_facet Ilenia Licitra
author_sort Ilenia Licitra
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description Numerous examples of ghazal poems include metaphorical images describing the altered body of the lover. The yearning for love, passion, disappointment, languish: each stage of the love affair can change the lover appearance. Even more, the alteration can affect also his perception of the beloved body: due to the intensity of the love experience, his sensory perception could end to intertwine, by blending or intermingling his different sense modalities. The verbal transposition of such a visionary state often requires the poet to employ widely rhetorical devices, and particularly synesthesia, in order to enhance the multiple perception of his audience. This paper will focus on the use of this figure in the love poems from the Siculo-Arabic poetic repertoire (10th-12th centuries). In fact, these authors frequently combine the figurative use of words with synesthetic effects, thus involving the reader in a vivid experience: a multilayered text articulating a multisensory perception.
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spelling doaj.art-504549aac96e4da29055608f9e96ec312023-06-27T06:50:08ZengUniversità degli Studi di TorinoKervan. International Journal of Afro-Asiatic Studies1825-263X2023-06-0127110.13135/1825-263X/7701Senses and sensuality: Synesthetic imagery in the Siculo-Arabic ghazal poems Ilenia Licitra0University for Foreigners “Dante Alighieri”, Reggio Calabria Numerous examples of ghazal poems include metaphorical images describing the altered body of the lover. The yearning for love, passion, disappointment, languish: each stage of the love affair can change the lover appearance. Even more, the alteration can affect also his perception of the beloved body: due to the intensity of the love experience, his sensory perception could end to intertwine, by blending or intermingling his different sense modalities. The verbal transposition of such a visionary state often requires the poet to employ widely rhetorical devices, and particularly synesthesia, in order to enhance the multiple perception of his audience. This paper will focus on the use of this figure in the love poems from the Siculo-Arabic poetic repertoire (10th-12th centuries). In fact, these authors frequently combine the figurative use of words with synesthetic effects, thus involving the reader in a vivid experience: a multilayered text articulating a multisensory perception. https://ojs.unito.it/index.php/kervan/article/view/7701
spellingShingle Ilenia Licitra
Senses and sensuality: Synesthetic imagery in the Siculo-Arabic ghazal poems
Kervan. International Journal of Afro-Asiatic Studies
title Senses and sensuality: Synesthetic imagery in the Siculo-Arabic ghazal poems
title_full Senses and sensuality: Synesthetic imagery in the Siculo-Arabic ghazal poems
title_fullStr Senses and sensuality: Synesthetic imagery in the Siculo-Arabic ghazal poems
title_full_unstemmed Senses and sensuality: Synesthetic imagery in the Siculo-Arabic ghazal poems
title_short Senses and sensuality: Synesthetic imagery in the Siculo-Arabic ghazal poems
title_sort senses and sensuality synesthetic imagery in the siculo arabic ghazal poems
url https://ojs.unito.it/index.php/kervan/article/view/7701
work_keys_str_mv AT ilenialicitra sensesandsensualitysynestheticimageryinthesiculoarabicghazalpoems