Sound Objects and Sound Products: Standardizing a New Culture of Listening in the First Half of the Twentieth Century
In this chapter I develop the psychological underpinnings of environmental music towards an understanding of how the goals of cognitive and behavioral psycholo-gists contributed to a new kind of listening at the beginning of the twentieth century. I begin with an examination of nineteenth-century co...
Main Author: | Alexandra Hui |
---|---|
Format: | Article |
Language: | English |
Published: |
Linköping University Electronic Press
2012-12-01
|
Series: | Culture Unbound: Journal of Current Cultural Research |
Subjects: | |
Online Access: | http://dx.doi.org/10.3384/cu.2000.1525.124599 |
Similar Items
-
How Thomas A. Edison shaped today's singing ideal: Tracking his ambiguous concept of tremolo by analysing archival documents and sound recordings
by: Tilo Hähnel, et al.
Published: (2019-11-01) -
The Phonographic Author of Milton, Edison and Uzanne
by: Larisa Kocic-Zámbó
Published: (2021-11-01) -
His Master’s Voice: Sound Devices in Bram Stoker’s Dracula
by: Maria Parrino
Published: (2021-11-01) -
Edison's Modern Legend in Villiers' <i>L'Eve future</i>
by: Ana Oancea
Published: (2012-03-01) -
Sound and Listening in Healthcare and Therapy
by: Iben Have, et al.
Published: (2016-11-01)