Glaura y Cariolano, a neoclassical opera by Ignacio García Malo

<p><span>With the intention of emulating Italian operas, García Malo decided in 1791 to write one of these pieces in Spanish, in order to show that the richness and harmony of this language was comparable to that of any other foreign language, and in the hope that opera similar to Italia...

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Main Author: Felipe RODRÍGUEZ MORÍN
Format: Article
Language:Spanish
Published: Universidad de Salamanca 2017-02-01
Series:Cuadernos Dieciochistas
Subjects:
Online Access:http://revistas.usal.es/index.php/1576-7914/article/view/13343
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author Felipe RODRÍGUEZ MORÍN
author_facet Felipe RODRÍGUEZ MORÍN
author_sort Felipe RODRÍGUEZ MORÍN
collection DOAJ
description <p><span>With the intention of emulating Italian operas, García Malo decided in 1791 to write one of these pieces in Spanish, in order to show that the richness and harmony of this language was comparable to that of any other foreign language, and in the hope that opera similar to Italian opera would be created in the future. Together with this patriotic intention was the aim of acclaiming Spanish splendour in America, and, through that, informing the audience of the work about the virtues of the Hispanic character, at a time in which some were worried about the future political stability of the overseas colonies. García Malo adapted the text entirely to neoclassical aesthetics, so that the message would more efficiently leave a mark on the spectator. As regards the music, composed by José Lidón, it most likely contributed to reinforcing in the listener the effect of reliving and singing the past glory of Spain.</span></p>
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spelling doaj.art-507a5316474a42d88f58e00e91e828e52022-12-21T18:46:41ZspaUniversidad de SalamancaCuadernos Dieciochistas1576-79142341-19022017-02-0117032935110.14201/20161732935112666Glaura y Cariolano, a neoclassical opera by Ignacio García MaloFelipe RODRÍGUEZ MORÍN0Instituto Feijoo de Estudios del Siglo XVIII<p><span>With the intention of emulating Italian operas, García Malo decided in 1791 to write one of these pieces in Spanish, in order to show that the richness and harmony of this language was comparable to that of any other foreign language, and in the hope that opera similar to Italian opera would be created in the future. Together with this patriotic intention was the aim of acclaiming Spanish splendour in America, and, through that, informing the audience of the work about the virtues of the Hispanic character, at a time in which some were worried about the future political stability of the overseas colonies. García Malo adapted the text entirely to neoclassical aesthetics, so that the message would more efficiently leave a mark on the spectator. As regards the music, composed by José Lidón, it most likely contributed to reinforcing in the listener the effect of reliving and singing the past glory of Spain.</span></p>http://revistas.usal.es/index.php/1576-7914/article/view/13343glaura y cariolanogarcía maloópera españoladrama neoclásicopatriotismo.
spellingShingle Felipe RODRÍGUEZ MORÍN
Glaura y Cariolano, a neoclassical opera by Ignacio García Malo
Cuadernos Dieciochistas
glaura y cariolano
garcía malo
ópera española
drama neoclásico
patriotismo.
title Glaura y Cariolano, a neoclassical opera by Ignacio García Malo
title_full Glaura y Cariolano, a neoclassical opera by Ignacio García Malo
title_fullStr Glaura y Cariolano, a neoclassical opera by Ignacio García Malo
title_full_unstemmed Glaura y Cariolano, a neoclassical opera by Ignacio García Malo
title_short Glaura y Cariolano, a neoclassical opera by Ignacio García Malo
title_sort glaura y cariolano a neoclassical opera by ignacio garcia malo
topic glaura y cariolano
garcía malo
ópera española
drama neoclásico
patriotismo.
url http://revistas.usal.es/index.php/1576-7914/article/view/13343
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