Mas(c/k) of a Man: Masculinity and Jesus in Performance

While both narrative and performance criticisms take whole-story approaches to the texts they are engaging with, performance critical approaches are uniquely suited to considerations of the body, and particularly of gender. Alongside the growth in performance critical analyses of the gospels that pl...

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Main Author: Megan Wines
Format: Article
Language:English
Published: MDPI AG 2023-09-01
Series:Religions
Subjects:
Online Access:https://www.mdpi.com/2077-1444/14/9/1162
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author Megan Wines
author_facet Megan Wines
author_sort Megan Wines
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description While both narrative and performance criticisms take whole-story approaches to the texts they are engaging with, performance critical approaches are uniquely suited to considerations of the body, and particularly of gender. Alongside the growth in performance critical analyses of the gospels that place prominence on the embodied, performed dimension of the texts, when thinking about gender it becomes critical to examine the ways in which masculinity is constructed in and through performance, particularly in the ancient Greek and Roman worlds. This article is an examination of the masculinity of Jesus as it is presented in the Gospel of Mark, as it argues that the Gospel of Mark presents a seemingly “unmasculine” depiction of Jesus that performers (as well as later interpreters) would have had to make performance choices about in their own depictions of Jesus for a given performance event. While narrative approaches have more space to hold multiple interpretations in tension with one another, performances of the texts would have necessitated making singular choices that would impact an audience’s understanding of the text.
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spelling doaj.art-5093c13473c84b238941ac5e5102afcc2023-11-19T12:45:53ZengMDPI AGReligions2077-14442023-09-01149116210.3390/rel14091162Mas(c/k) of a Man: Masculinity and Jesus in PerformanceMegan Wines0Department of Theology, Loyola University Chicago, Chicago, IL 60660, USAWhile both narrative and performance criticisms take whole-story approaches to the texts they are engaging with, performance critical approaches are uniquely suited to considerations of the body, and particularly of gender. Alongside the growth in performance critical analyses of the gospels that place prominence on the embodied, performed dimension of the texts, when thinking about gender it becomes critical to examine the ways in which masculinity is constructed in and through performance, particularly in the ancient Greek and Roman worlds. This article is an examination of the masculinity of Jesus as it is presented in the Gospel of Mark, as it argues that the Gospel of Mark presents a seemingly “unmasculine” depiction of Jesus that performers (as well as later interpreters) would have had to make performance choices about in their own depictions of Jesus for a given performance event. While narrative approaches have more space to hold multiple interpretations in tension with one another, performances of the texts would have necessitated making singular choices that would impact an audience’s understanding of the text.https://www.mdpi.com/2077-1444/14/9/1162performance criticismgendermasculinityJesusdramarhetoric
spellingShingle Megan Wines
Mas(c/k) of a Man: Masculinity and Jesus in Performance
Religions
performance criticism
gender
masculinity
Jesus
drama
rhetoric
title Mas(c/k) of a Man: Masculinity and Jesus in Performance
title_full Mas(c/k) of a Man: Masculinity and Jesus in Performance
title_fullStr Mas(c/k) of a Man: Masculinity and Jesus in Performance
title_full_unstemmed Mas(c/k) of a Man: Masculinity and Jesus in Performance
title_short Mas(c/k) of a Man: Masculinity and Jesus in Performance
title_sort mas c k of a man masculinity and jesus in performance
topic performance criticism
gender
masculinity
Jesus
drama
rhetoric
url https://www.mdpi.com/2077-1444/14/9/1162
work_keys_str_mv AT meganwines masckofamanmasculinityandjesusinperformance