L’influsso morale dell’arte. Danto, Platone e le strategie della Mimesis

Danto’s interpretation about Plato’s original condemnation of art doesn’t ground in a rigorous and accurate exegesis of the Platonic text. This contributed to making the interpreters doubtful (e.g. Halliwell), since Danto seems to conceive the philosophical genesis of mimesis attributing to it an ex...

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Main Author: Francesco Lesce
Format: Article
Language:English
Published: Rosenberg & Sellier 2021-08-01
Series:Rivista di Estetica
Subjects:
Online Access:https://journals.openedition.org/estetica/14075
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author Francesco Lesce
author_facet Francesco Lesce
author_sort Francesco Lesce
collection DOAJ
description Danto’s interpretation about Plato’s original condemnation of art doesn’t ground in a rigorous and accurate exegesis of the Platonic text. This contributed to making the interpreters doubtful (e.g. Halliwell), since Danto seems to conceive the philosophical genesis of mimesis attributing to it an excessively univocal meaning as compared to Platonic theses. However, interesting topics about the dangers of poetry and the moral and political implications of the “philosophical disenfranchisement of art” arise from the few Danto’s mentions about Plato’s psychological arguments on mimetic art. The article focuses on these psychological aspects suggesting to Danto the ethical reason why art, tragedy in particular, is considered by Plato to be “dangerous”. The analysis will point out that, with regard to a philosophical consideration of the mimesis, dramatic poetry (specifically, Greek theatre) is a perspicuous clue to clarify the control function exerted by art over the sphere of emotions. This will also allow us to recognize Danto’s debt to Nietzsche, with whom he shares the intention to overthrow Platonism.
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spelling doaj.art-50a8fa762e4449bf8936c5add648f2082024-04-04T09:21:55ZengRosenberg & SellierRivista di Estetica0035-62122421-58642021-08-01779310910.4000/estetica.14075L’influsso morale dell’arte. Danto, Platone e le strategie della MimesisFrancesco LesceDanto’s interpretation about Plato’s original condemnation of art doesn’t ground in a rigorous and accurate exegesis of the Platonic text. This contributed to making the interpreters doubtful (e.g. Halliwell), since Danto seems to conceive the philosophical genesis of mimesis attributing to it an excessively univocal meaning as compared to Platonic theses. However, interesting topics about the dangers of poetry and the moral and political implications of the “philosophical disenfranchisement of art” arise from the few Danto’s mentions about Plato’s psychological arguments on mimetic art. The article focuses on these psychological aspects suggesting to Danto the ethical reason why art, tragedy in particular, is considered by Plato to be “dangerous”. The analysis will point out that, with regard to a philosophical consideration of the mimesis, dramatic poetry (specifically, Greek theatre) is a perspicuous clue to clarify the control function exerted by art over the sphere of emotions. This will also allow us to recognize Danto’s debt to Nietzsche, with whom he shares the intention to overthrow Platonism.https://journals.openedition.org/estetica/14075ethicsPlatomimesis
spellingShingle Francesco Lesce
L’influsso morale dell’arte. Danto, Platone e le strategie della Mimesis
Rivista di Estetica
ethics
Plato
mimesis
title L’influsso morale dell’arte. Danto, Platone e le strategie della Mimesis
title_full L’influsso morale dell’arte. Danto, Platone e le strategie della Mimesis
title_fullStr L’influsso morale dell’arte. Danto, Platone e le strategie della Mimesis
title_full_unstemmed L’influsso morale dell’arte. Danto, Platone e le strategie della Mimesis
title_short L’influsso morale dell’arte. Danto, Platone e le strategie della Mimesis
title_sort l influsso morale dell arte danto platone e le strategie della mimesis
topic ethics
Plato
mimesis
url https://journals.openedition.org/estetica/14075
work_keys_str_mv AT francescolesce linflussomoraledellartedantoplatoneelestrategiedellamimesis