Fantastic theology of Robert Sheckley: A pseudo-secular world

The article considers one of the views on God existing within the modern Western literary tradition and out-side of religious systems. The image of God was chosen as a cultural phenomenon relevant for interpretation, which exists both in religious and secular discourse. The research involved the cre...

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Main Author: S.V. Ryazanova
Format: Article
Language:Russian
Published: Tyumen Scientific Centre SB RA 2020-03-01
Series:Вестник археологии, антропологии и этнографии
Subjects:
Online Access:http://www.ipdn.ru/va-en/_private/a48/enga48-3-6.htm
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author S.V. Ryazanova
author_facet S.V. Ryazanova
author_sort S.V. Ryazanova
collection DOAJ
description The article considers one of the views on God existing within the modern Western literary tradition and out-side of religious systems. The image of God was chosen as a cultural phenomenon relevant for interpretation, which exists both in religious and secular discourse. The research involved the creative heritage of Robert Sheck-ley – one of the most popular authors of fantastic literature in the mid-20th century. The analysis was based on fantastic tales, since they provide the opportunity to prove all strategies for social behaviour, as well as different views on life. The image of God created by Sheckley was reconstructed using intertextual analysis, which helps identify original mythological and religious narratives and individual allusions. This provides the opportunity to define the features of Sheckley's individual fantastic theology and find the reasons for using the image of God in secular literature. The analysis revealed that the used religious names, denominations and plots bear only formal similarity with the traditional ones. They are used and interpreted arbitrarily. God is interpreted as being anthro-pomorphic, pragmatic, partial and not interested in the fate of his creation. Communication with God is described as commercialised and is built on the model of the consumer society. The works of Sheckley indicate the possibil-ity and necessity of contact between the man and God with the obligatory personal participation of the individual. The American writer creates texts that are modernised in terms of the plot using traditional Christian ideas about the spiritual development of people and the need to preserve the Christian value system as a universal one. In this connection, Sheckley offers possible behavioural models for the created image of God.
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spelling doaj.art-50db64b33e9045cf8dfb754fedb0a4632022-12-22T00:43:17ZrusTyumen Scientific Centre SB RAВестник археологии, антропологии и этнографии1811-74652071-04372020-03-011(48)16717610.20874/2071-0437-2020-48-1-15Fantastic theology of Robert Sheckley: A pseudo-secular worldS.V. Ryazanova0https://orcid.org/0000-0001-5387-9387Perm Federal Research Center of the Ural Branch RASThe article considers one of the views on God existing within the modern Western literary tradition and out-side of religious systems. The image of God was chosen as a cultural phenomenon relevant for interpretation, which exists both in religious and secular discourse. The research involved the creative heritage of Robert Sheck-ley – one of the most popular authors of fantastic literature in the mid-20th century. The analysis was based on fantastic tales, since they provide the opportunity to prove all strategies for social behaviour, as well as different views on life. The image of God created by Sheckley was reconstructed using intertextual analysis, which helps identify original mythological and religious narratives and individual allusions. This provides the opportunity to define the features of Sheckley's individual fantastic theology and find the reasons for using the image of God in secular literature. The analysis revealed that the used religious names, denominations and plots bear only formal similarity with the traditional ones. They are used and interpreted arbitrarily. God is interpreted as being anthro-pomorphic, pragmatic, partial and not interested in the fate of his creation. Communication with God is described as commercialised and is built on the model of the consumer society. The works of Sheckley indicate the possibil-ity and necessity of contact between the man and God with the obligatory personal participation of the individual. The American writer creates texts that are modernised in terms of the plot using traditional Christian ideas about the spiritual development of people and the need to preserve the Christian value system as a universal one. In this connection, Sheckley offers possible behavioural models for the created image of God.http://www.ipdn.ru/va-en/_private/a48/enga48-3-6.htmchristianitymodern fantastic talestheologyimage of godchristian ideasrobert shekley
spellingShingle S.V. Ryazanova
Fantastic theology of Robert Sheckley: A pseudo-secular world
Вестник археологии, антропологии и этнографии
christianity
modern fantastic tales
theology
image of god
christian ideas
robert shekley
title Fantastic theology of Robert Sheckley: A pseudo-secular world
title_full Fantastic theology of Robert Sheckley: A pseudo-secular world
title_fullStr Fantastic theology of Robert Sheckley: A pseudo-secular world
title_full_unstemmed Fantastic theology of Robert Sheckley: A pseudo-secular world
title_short Fantastic theology of Robert Sheckley: A pseudo-secular world
title_sort fantastic theology of robert sheckley a pseudo secular world
topic christianity
modern fantastic tales
theology
image of god
christian ideas
robert shekley
url http://www.ipdn.ru/va-en/_private/a48/enga48-3-6.htm
work_keys_str_mv AT svryazanova fantastictheologyofrobertsheckleyapseudosecularworld