The Pre-Raphaelite city and the trap of modernity
The poetic and pictorial works of the “Pre-Raphaelite galaxy”, as one might call the group formed by Dante Gabriel Rossetti, the Pre-Raphaelite Brotherhood, and their artistic kindred, exhibit an ambiguous relationship to Victorian modernity and 19th-century technical and political “progress”, espec...
Main Author: | Raphaël Rigal |
---|---|
Format: | Article |
Language: | English |
Published: |
SAES
2022-11-01
|
Series: | Angles |
Subjects: | |
Online Access: | http://journals.openedition.org/angles/6013 |
Similar Items
-
« La plus noble peinture est un poème peint » : traduire pour peindre. Dante Gabriel Rossetti lecteur de Dante
by: Francesca Manzari
Published: (2020-11-01) -
Dramatic Autobiography: the Poetic Voice Recreating Itself in Dante Gabriel Rossetti’s ‘The Bride’s Prelude’
by: Raphaël Rigal -
Un gioco di citazioni incrociate: “Giotto dipinge il ritratto di Dante” di Dante Gabriel Rossetti
by: Veronica Pesce
Published: (2022-06-01) -
“Behind Those Screens” — Bringing Women Forth: Christina Rossetti and Elizabeth Siddal
by: Mariana Bicudo Castelo Branco Cunha
Published: (2020-01-01) -
Dante Gabriel Rossetti's Pre-Raphaelites Beginnings: “Mary’s Girlhood” e The Girlhood of Mary Virgin
by: Chiara Moriconi
Published: (2012-12-01)