The Picassos in the 1901 Vollard Exhibition and Their History
This article describes Picasso’s first visit to the French capital in 1900, and the events that led to his first major exhibition at the acclaimed Galerie Ambroise Vollard in Paris in 1901. The first section provides a narrative of his early experiences abroad as a young unknown artist, his influenc...
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| Format: | Article |
| Language: | English |
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MDPI AG
2023-04-01
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| Series: | Arts |
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| Online Access: | https://www.mdpi.com/2076-0752/12/2/78 |
| _version_ | 1827745963866849280 |
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| author | Enrique Mallen |
| author_facet | Enrique Mallen |
| author_sort | Enrique Mallen |
| collection | DOAJ |
| description | This article describes Picasso’s first visit to the French capital in 1900, and the events that led to his first major exhibition at the acclaimed Galerie Ambroise Vollard in Paris in 1901. The first section provides a narrative of his early experiences abroad as a young unknown artist, his influences, and the contacts he established with friends, artists and dealers during this important period of his career; the second section traces the histories of the sixty-five artworks that were exhibited, identifying the collections those items went through after they were exhibited, their current locations, as well as the exhibitions in which they have been featured since Vollard first displayed them in his gallery. The last section elaborates on some of the immediate repercussions of the exhibition. The reported findings are the result of extensive research on hundreds of books and catalogs published on Pablo Picasso from 1901 to the present. The new facts we have uncovered are published here for the first time. Readers of the article will learn that the works included in Picasso’s first exhibition in France have been part of the most prestigious art collections, such as those of Justin K. Thannhauser, Gertrude Stein, Chester Dale, Paul Guillaume, Walter P. Chrysler, Jr., Paul Mellon, Helena Rubinstein, Alfred Flechtheim, Walter C. Arensberg, among others. The works have also been featured in such important overviews of his career as “Picasso, 75th Anniversary” 1957–1958, and “Picasso: An American Tribute”, 1962. Thus, while Vollard claimed that the exhibition at his gallery had no major impact, the facts show that it not only played an important role in Picasso’s acceptance as a groundbreaking newcomer, but also left a significant mark on the rest of his career, as evidenced by the works’ inclusion in the retrospectives held in Paris and Zürich in 1932, and New York in 1980. |
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| format | Article |
| id | doaj.art-50edc821062b4435ae78811c56f2b4fe |
| institution | Directory Open Access Journal |
| issn | 2076-0752 |
| language | English |
| last_indexed | 2024-03-11T05:15:53Z |
| publishDate | 2023-04-01 |
| publisher | MDPI AG |
| record_format | Article |
| series | Arts |
| spelling | doaj.art-50edc821062b4435ae78811c56f2b4fe2023-11-17T18:15:54ZengMDPI AGArts2076-07522023-04-011227810.3390/arts12020078The Picassos in the 1901 Vollard Exhibition and Their HistoryEnrique Mallen0College of Humanities & Social Sciences, Sam Houston State University, Huntsville, TX 77340, USAThis article describes Picasso’s first visit to the French capital in 1900, and the events that led to his first major exhibition at the acclaimed Galerie Ambroise Vollard in Paris in 1901. The first section provides a narrative of his early experiences abroad as a young unknown artist, his influences, and the contacts he established with friends, artists and dealers during this important period of his career; the second section traces the histories of the sixty-five artworks that were exhibited, identifying the collections those items went through after they were exhibited, their current locations, as well as the exhibitions in which they have been featured since Vollard first displayed them in his gallery. The last section elaborates on some of the immediate repercussions of the exhibition. The reported findings are the result of extensive research on hundreds of books and catalogs published on Pablo Picasso from 1901 to the present. The new facts we have uncovered are published here for the first time. Readers of the article will learn that the works included in Picasso’s first exhibition in France have been part of the most prestigious art collections, such as those of Justin K. Thannhauser, Gertrude Stein, Chester Dale, Paul Guillaume, Walter P. Chrysler, Jr., Paul Mellon, Helena Rubinstein, Alfred Flechtheim, Walter C. Arensberg, among others. The works have also been featured in such important overviews of his career as “Picasso, 75th Anniversary” 1957–1958, and “Picasso: An American Tribute”, 1962. Thus, while Vollard claimed that the exhibition at his gallery had no major impact, the facts show that it not only played an important role in Picasso’s acceptance as a groundbreaking newcomer, but also left a significant mark on the rest of his career, as evidenced by the works’ inclusion in the retrospectives held in Paris and Zürich in 1932, and New York in 1980.https://www.mdpi.com/2076-0752/12/2/78PicassoGalerie Vollardprovenanceexhibition |
| spellingShingle | Enrique Mallen The Picassos in the 1901 Vollard Exhibition and Their History Arts Picasso Galerie Vollard provenance exhibition |
| title | The Picassos in the 1901 Vollard Exhibition and Their History |
| title_full | The Picassos in the 1901 Vollard Exhibition and Their History |
| title_fullStr | The Picassos in the 1901 Vollard Exhibition and Their History |
| title_full_unstemmed | The Picassos in the 1901 Vollard Exhibition and Their History |
| title_short | The Picassos in the 1901 Vollard Exhibition and Their History |
| title_sort | picassos in the 1901 vollard exhibition and their history |
| topic | Picasso Galerie Vollard provenance exhibition |
| url | https://www.mdpi.com/2076-0752/12/2/78 |
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