Specters of Mob in David Cronenberg’s <i>Eastern Promises</i>
This article situates David Cronenberg’s film <i>Eastern Promises</i> in the context of post-Cold-War European narratives. It argues that the secret dealings of the Russian mob in London are presented in the film as the uncanny and spectral return of forms of government and business that...
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| Format: | Article |
| Language: | English |
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MDPI AG
2021-11-01
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| Series: | Humanities |
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| Online Access: | https://www.mdpi.com/2076-0787/10/4/116 |