Modernism as a Misnomer: Godard's Archeology of the Image
"The standard historical image of Jean-Luc Godard is that of a resolute iconoclast breaking with the representational norms and codes of classical cinema in the name of liberating film from the deadening weight of its past. His numerous formal innovations—syncopated montage, unconventional fram...
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| Format: | Article |
| Language: | English |
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University Library System, University of Pittsburgh
2010-01-01
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| Series: | Journal of French and Francophone Philosophy |
| Online Access: | http://jffp.pitt.edu/ojs/index.php/jffp/article/view/215 |