Conséquences narratives de la plateformisation des franchises cinématographiques : le cas de Disney+

Launched in November 2019 in the U.S., the Disney+ VOD platform has centralized Disney's licensed film franchises, particularly “Star Wars” and “Marvel”. Previously scattered across a variety of media and devices, the films and TV series (live action and animated) they feature are now accessibl...

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Main Author: Anaïs Goudmand
Format: Article
Language:fra
Published: Laboratoire Interdisciplinaire Récits Cultures Et Sociétés
Series:Cahiers de Narratologie
Subjects:
Online Access:https://journals.openedition.org/narratologie/14441
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author Anaïs Goudmand
author_facet Anaïs Goudmand
author_sort Anaïs Goudmand
collection DOAJ
description Launched in November 2019 in the U.S., the Disney+ VOD platform has centralized Disney's licensed film franchises, particularly “Star Wars” and “Marvel”. Previously scattered across a variety of media and devices, the films and TV series (live action and animated) they feature are now accessible on a single interface. The creation of Disney+ has a major impact on the production strategies of the franchises: the “Marvel Cinematic Universe” (“MCU”) already included many series, but their artistic control was then shared with various broadcasters, while it now depends exclusively on Marvel Studios. The evolution is even clearer in the case of “Star Wars”: the universe created by George Lucas is clearly following the path opened by “Marvel”, by extending its content to numerous series planned, in the same way as the upcoming films, according to a calendar fixed several years in advance. This article proposes to study the narrative consequences of this additional step in the logic of media convergence.
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spelling doaj.art-5177631778a6449eaf746340dcf9985d2024-02-13T13:09:24ZfraLaboratoire Interdisciplinaire Récits Cultures Et SociétésCahiers de Narratologie0993-85161765-307X4310.4000/narratologie.14441Conséquences narratives de la plateformisation des franchises cinématographiques : le cas de Disney+Anaïs GoudmandLaunched in November 2019 in the U.S., the Disney+ VOD platform has centralized Disney's licensed film franchises, particularly “Star Wars” and “Marvel”. Previously scattered across a variety of media and devices, the films and TV series (live action and animated) they feature are now accessible on a single interface. The creation of Disney+ has a major impact on the production strategies of the franchises: the “Marvel Cinematic Universe” (“MCU”) already included many series, but their artistic control was then shared with various broadcasters, while it now depends exclusively on Marvel Studios. The evolution is even clearer in the case of “Star Wars”: the universe created by George Lucas is clearly following the path opened by “Marvel”, by extending its content to numerous series planned, in the same way as the upcoming films, according to a calendar fixed several years in advance. This article proposes to study the narrative consequences of this additional step in the logic of media convergence.https://journals.openedition.org/narratologie/14441sérialitéPlateformefranchises cinématographiquestransmedia storytellingculture de la convergence« Marvel »
spellingShingle Anaïs Goudmand
Conséquences narratives de la plateformisation des franchises cinématographiques : le cas de Disney+
Cahiers de Narratologie
sérialité
Plateforme
franchises cinématographiques
transmedia storytelling
culture de la convergence
« Marvel »
title Conséquences narratives de la plateformisation des franchises cinématographiques : le cas de Disney+
title_full Conséquences narratives de la plateformisation des franchises cinématographiques : le cas de Disney+
title_fullStr Conséquences narratives de la plateformisation des franchises cinématographiques : le cas de Disney+
title_full_unstemmed Conséquences narratives de la plateformisation des franchises cinématographiques : le cas de Disney+
title_short Conséquences narratives de la plateformisation des franchises cinématographiques : le cas de Disney+
title_sort consequences narratives de la plateformisation des franchises cinematographiques le cas de disney
topic sérialité
Plateforme
franchises cinématographiques
transmedia storytelling
culture de la convergence
« Marvel »
url https://journals.openedition.org/narratologie/14441
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