Bodies in Agony: Classical Sculpture and Violence in Herman Melville's works
Instead of pointing to an ideal of harmony and perpetuating a long-lasting tradition initiated by Johann Joachim Winckelmann, allusions to Greco-Roman sculpture in Melville’s works are intertwined with destructive forms of violence. By releasing the darker energies which animate the figure of Apollo...
Main Author: | Ronan Ludot-Vlasak |
---|---|
Format: | Article |
Language: | English |
Published: |
Centre de Recherche "Texte et Critique de Texte"
2017-03-01
|
Series: | Sillages Critiques |
Subjects: | |
Online Access: | http://journals.openedition.org/sillagescritiques/4886 |
Similar Items
-
Construction of Whiteness and Blackness in Herman Melville’s Benito Cereno
by: Klara Szmańko
Published: (2020-12-01) -
Charity, Melancholy, and the Protestant Ethic in Herman Melville’s Bartleby and Cock-A-Doodle-Doo!
by: Federico Bellini
Published: (2017-07-01) -
A Jacket Not Worth Looking At: Shipboard Boredom aboard Herman Melville’s Neversink
by: Arturo Corujo -
Melville: guida a Moby-Dick. Giorgio Mariani
by: Carlo Martinez
Published: (2022-06-01) -
Transactions en eaux troubles : résurgences de la voix shakespearienne dans Moby-Dick
by: Ronan Ludot-Vlasak
Published: (2009-02-01)