Sedlmayr’s Borromini

: Hans Sedlmayr exhibited his new theory and methodology of Strukturforschung in his monograph on Francesco Borromini, Die Architektur Borrominis (1930). The book has hardly been read and most attention is placed on its controversial ‘schizothymic’ reading of Borromini’s personality. This study cont...

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Main Author: Ian Verstegen
Format: Article
Language:English
Published: Department of Art History, University of Birmingham 2016-06-01
Series:Journal of Art Historiography
Subjects:
Online Access:https://arthistoriography.files.wordpress.com/2016/05/verstegen.pdf
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author Ian Verstegen
author_facet Ian Verstegen
author_sort Ian Verstegen
collection DOAJ
description : Hans Sedlmayr exhibited his new theory and methodology of Strukturforschung in his monograph on Francesco Borromini, Die Architektur Borrominis (1930). The book has hardly been read and most attention is placed on its controversial ‘schizothymic’ reading of Borromini’s personality. This study contextualizes the whole book within the larger project of the New Vienna School and clarifies its intent. Noting Sedlmayr’s movement from structure to chains of influence, the architectural historians arrival on personality is clarified as begged by the idiosyncrasies of Borromini’s forms. Sedlmayr rounded out this complete analysis of the architect into a too-neat and abbreviated interpretive package, yet a fresh reading shows its distance from quick characterizations normally found in Anglo-American texts.
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spelling doaj.art-51f38ee51a874c759887156824f90a312022-12-21T19:12:10ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522016-06-011414IV1Sedlmayr’s BorrominiIan Verstegen 0University of Pennsylvania: Hans Sedlmayr exhibited his new theory and methodology of Strukturforschung in his monograph on Francesco Borromini, Die Architektur Borrominis (1930). The book has hardly been read and most attention is placed on its controversial ‘schizothymic’ reading of Borromini’s personality. This study contextualizes the whole book within the larger project of the New Vienna School and clarifies its intent. Noting Sedlmayr’s movement from structure to chains of influence, the architectural historians arrival on personality is clarified as begged by the idiosyncrasies of Borromini’s forms. Sedlmayr rounded out this complete analysis of the architect into a too-neat and abbreviated interpretive package, yet a fresh reading shows its distance from quick characterizations normally found in Anglo-American texts.https://arthistoriography.files.wordpress.com/2016/05/verstegen.pdfHans SedlmayrFrancesco BorrominiVienna School of Art Historygestalt psychologyErnst Kretschmer
spellingShingle Ian Verstegen
Sedlmayr’s Borromini
Journal of Art Historiography
Hans Sedlmayr
Francesco Borromini
Vienna School of Art History
gestalt psychology
Ernst Kretschmer
title Sedlmayr’s Borromini
title_full Sedlmayr’s Borromini
title_fullStr Sedlmayr’s Borromini
title_full_unstemmed Sedlmayr’s Borromini
title_short Sedlmayr’s Borromini
title_sort sedlmayr s borromini
topic Hans Sedlmayr
Francesco Borromini
Vienna School of Art History
gestalt psychology
Ernst Kretschmer
url https://arthistoriography.files.wordpress.com/2016/05/verstegen.pdf
work_keys_str_mv AT ianverstegen sedlmayrsborromini