Музыка в романе Евгения Водолазкина Брисбен

The author of the article examines the role of music in Evgeny Vodolazkin’s novel Brisbane, analyzing individual manifestations of the widely understood intermediacy. The musical code of the text is expressed in audibility of the sounds the world of the novel is filled with, and in musical ecphrasi...

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Main Author: Tatiana Kopac
Format: Article
Language:deu
Published: Adam Mickiewicz University in Poznań 2023-06-01
Series:Studia Rossica Posnaniensia
Subjects:
Online Access:https://pressto.amu.edu.pl/index.php/strp/article/view/38645
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author Tatiana Kopac
author_facet Tatiana Kopac
author_sort Tatiana Kopac
collection DOAJ
description The author of the article examines the role of music in Evgeny Vodolazkin’s novel Brisbane, analyzing individual manifestations of the widely understood intermediacy. The musical code of the text is expressed in audibility of the sounds the world of the novel is filled with, and in musical ecphrasis (the profession of the protagonist, professional vocabulary and slang, references to musical compositions; descriptions of the world of music through the prism of the characters’ perception). These techniques perform plot and semantic functions, combine two equal plot plans, and constitute the image of the protagonist and other important characters. Fragments with musical ecphrasis have a vivid narrative, emotionally saturated (“moments of explosion”). The main emotional codes (or affects) find expression in the selection of musical compositions that assert the dramatic direction of the narrative. Music in the novel expresses the hero’s inner state, his relationship to the world, and symbolizes the metaphysical breakthrough experienced by the hero: from love and sound, to silence and eternity.
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spelling doaj.art-51f8b9e340ad4202b61a39d6ba4e4f7d2025-01-03T01:03:11ZdeuAdam Mickiewicz University in PoznańStudia Rossica Posnaniensia0081-68842023-06-0148110.14746/strp.2023.48.1.2Музыка в романе Евгения Водолазкина БрисбенTatiana Kopac The author of the article examines the role of music in Evgeny Vodolazkin’s novel Brisbane, analyzing individual manifestations of the widely understood intermediacy. The musical code of the text is expressed in audibility of the sounds the world of the novel is filled with, and in musical ecphrasis (the profession of the protagonist, professional vocabulary and slang, references to musical compositions; descriptions of the world of music through the prism of the characters’ perception). These techniques perform plot and semantic functions, combine two equal plot plans, and constitute the image of the protagonist and other important characters. Fragments with musical ecphrasis have a vivid narrative, emotionally saturated (“moments of explosion”). The main emotional codes (or affects) find expression in the selection of musical compositions that assert the dramatic direction of the narrative. Music in the novel expresses the hero’s inner state, his relationship to the world, and symbolizes the metaphysical breakthrough experienced by the hero: from love and sound, to silence and eternity. https://pressto.amu.edu.pl/index.php/strp/article/view/38645music descriptionsaudibilitysoundaffecteternity
spellingShingle Tatiana Kopac
Музыка в романе Евгения Водолазкина Брисбен
Studia Rossica Posnaniensia
music descriptions
audibility
sound
affect
eternity
title Музыка в романе Евгения Водолазкина Брисбен
title_full Музыка в романе Евгения Водолазкина Брисбен
title_fullStr Музыка в романе Евгения Водолазкина Брисбен
title_full_unstemmed Музыка в романе Евгения Водолазкина Брисбен
title_short Музыка в романе Евгения Водолазкина Брисбен
title_sort музыка в романе евгения водолазкина брисбен
topic music descriptions
audibility
sound
affect
eternity
url https://pressto.amu.edu.pl/index.php/strp/article/view/38645
work_keys_str_mv AT tatianakopac muzykavromaneevgeniâvodolazkinabrisben