The Burlesque Comedy of the Spanish Golden Age: Parody, Nonsense, and Carnival

This paper offers an approach to the main features and conventions of the burlesque comedy of the Spanish Golden Age, a corpus formed by about fifty parodic plays that were performed during Carnival and on St. John’s Day as part of the court festivals celebrated in the Royal Palace or in the Buen Re...

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Main Author: Carlos Mata Induráin
Format: Article
Language:English
Published: Instituto de Estudios Auriseculares (IDEA) 2018-01-01
Series:Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
Online Access:https://www.revistahipogrifo.com/index.php/hipogrifo/article/view/420
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author Carlos Mata Induráin
author_facet Carlos Mata Induráin
author_sort Carlos Mata Induráin
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description This paper offers an approach to the main features and conventions of the burlesque comedy of the Spanish Golden Age, a corpus formed by about fifty parodic plays that were performed during Carnival and on St. John’s Day as part of the court festivals celebrated in the Royal Palace or in the Buen Retiro palace complex. These two features (theatre of Carnival and courtier theatre) are the main key when analyzing these plays. The primary function of these pieces is to provoke laughter within the aulic audience —the king and his noblemen. To achieve this goal, authors of burlesque comedies use all of the resources at hand, including both scenic and verbal humor. The plays are marked by an absurd wit, and they bring on stage a carnivalesque world turned upside-down in which everything (including characters, plots, literary motifs, and dramatic conventions) is grotesquely parodied, brutally degraded, and made comical.
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spelling doaj.art-52137ed1d0b14258b916434a57dccaa22022-12-22T00:01:34ZengInstituto de Estudios Auriseculares (IDEA)Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro2328-13082018-01-0100799510.13035/H.2018.extra01.07251The Burlesque Comedy of the Spanish Golden Age: Parody, Nonsense, and CarnivalCarlos Mata Induráin0Universidad de Navarra, GRISOThis paper offers an approach to the main features and conventions of the burlesque comedy of the Spanish Golden Age, a corpus formed by about fifty parodic plays that were performed during Carnival and on St. John’s Day as part of the court festivals celebrated in the Royal Palace or in the Buen Retiro palace complex. These two features (theatre of Carnival and courtier theatre) are the main key when analyzing these plays. The primary function of these pieces is to provoke laughter within the aulic audience —the king and his noblemen. To achieve this goal, authors of burlesque comedies use all of the resources at hand, including both scenic and verbal humor. The plays are marked by an absurd wit, and they bring on stage a carnivalesque world turned upside-down in which everything (including characters, plots, literary motifs, and dramatic conventions) is grotesquely parodied, brutally degraded, and made comical.https://www.revistahipogrifo.com/index.php/hipogrifo/article/view/420
spellingShingle Carlos Mata Induráin
The Burlesque Comedy of the Spanish Golden Age: Parody, Nonsense, and Carnival
Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
title The Burlesque Comedy of the Spanish Golden Age: Parody, Nonsense, and Carnival
title_full The Burlesque Comedy of the Spanish Golden Age: Parody, Nonsense, and Carnival
title_fullStr The Burlesque Comedy of the Spanish Golden Age: Parody, Nonsense, and Carnival
title_full_unstemmed The Burlesque Comedy of the Spanish Golden Age: Parody, Nonsense, and Carnival
title_short The Burlesque Comedy of the Spanish Golden Age: Parody, Nonsense, and Carnival
title_sort burlesque comedy of the spanish golden age parody nonsense and carnival
url https://www.revistahipogrifo.com/index.php/hipogrifo/article/view/420
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