Inside the Swashing Glossolalias of Artaud

By analyzing the works of Artaud it is evident a set of ideas that suggests principles for vocality in the context of performance. This vocality is based on a notion of glossolalia as a concept linked to enunciative practices, especially as potency for irrationalizing vocal strata. Thus, glossolalia...

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Main Authors: Gil Roberto Almeida, César Lignelli
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Sul 2016-01-01
Series:Revista Brasileira de Estudos da Presença
Subjects:
Online Access:http://seer.ufrgs.br/index.php/presenca/article/view/60573/35735
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author Gil Roberto Almeida
César Lignelli
author_facet Gil Roberto Almeida
César Lignelli
author_sort Gil Roberto Almeida
collection DOAJ
description By analyzing the works of Artaud it is evident a set of ideas that suggests principles for vocality in the context of performance. This vocality is based on a notion of glossolalia as a concept linked to enunciative practices, especially as potency for irrationalizing vocal strata. Thus, glossolalia can add sound-poetic values that destabilize voice related aspects of meaning production and perception. Here we seek a discussion of possible boundaries in vocal production. We will appropriate concepts from the work of Deleuze and Guattari, as well as considerations from Certeau and Pozzo. This article aims to arouse and appreciate aspects of a glossolalic vocality, seeking to expand possibilities for the contemporary performer, problematizing the context of his vocal practices.
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spelling doaj.art-521f3eb4753a44b0b4078eb52cd1f47e2022-12-21T21:19:15ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602237-26602016-01-01617193Inside the Swashing Glossolalias of ArtaudGil Roberto Almeida0César Lignelli1Universidade de Brasília – UnBUniversidade de Brasília – UnBBy analyzing the works of Artaud it is evident a set of ideas that suggests principles for vocality in the context of performance. This vocality is based on a notion of glossolalia as a concept linked to enunciative practices, especially as potency for irrationalizing vocal strata. Thus, glossolalia can add sound-poetic values that destabilize voice related aspects of meaning production and perception. Here we seek a discussion of possible boundaries in vocal production. We will appropriate concepts from the work of Deleuze and Guattari, as well as considerations from Certeau and Pozzo. This article aims to arouse and appreciate aspects of a glossolalic vocality, seeking to expand possibilities for the contemporary performer, problematizing the context of his vocal practices.http://seer.ufrgs.br/index.php/presenca/article/view/60573/35735VoiceGlossolaliaArtaudBody without OrgansHearing
spellingShingle Gil Roberto Almeida
César Lignelli
Inside the Swashing Glossolalias of Artaud
Revista Brasileira de Estudos da Presença
Voice
Glossolalia
Artaud
Body without Organs
Hearing
title Inside the Swashing Glossolalias of Artaud
title_full Inside the Swashing Glossolalias of Artaud
title_fullStr Inside the Swashing Glossolalias of Artaud
title_full_unstemmed Inside the Swashing Glossolalias of Artaud
title_short Inside the Swashing Glossolalias of Artaud
title_sort inside the swashing glossolalias of artaud
topic Voice
Glossolalia
Artaud
Body without Organs
Hearing
url http://seer.ufrgs.br/index.php/presenca/article/view/60573/35735
work_keys_str_mv AT gilrobertoalmeida insidetheswashingglossolaliasofartaud
AT cesarlignelli insidetheswashingglossolaliasofartaud