Inside the Swashing Glossolalias of Artaud
By analyzing the works of Artaud it is evident a set of ideas that suggests principles for vocality in the context of performance. This vocality is based on a notion of glossolalia as a concept linked to enunciative practices, especially as potency for irrationalizing vocal strata. Thus, glossolalia...
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Format: | Article |
Language: | English |
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Universidade Federal do Rio Grande do Sul
2016-01-01
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Series: | Revista Brasileira de Estudos da Presença |
Subjects: | |
Online Access: | http://seer.ufrgs.br/index.php/presenca/article/view/60573/35735 |
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author | Gil Roberto Almeida César Lignelli |
author_facet | Gil Roberto Almeida César Lignelli |
author_sort | Gil Roberto Almeida |
collection | DOAJ |
description | By analyzing the works of Artaud it is evident a set of ideas that suggests principles for vocality in the context of performance. This vocality is based on a notion of glossolalia as a concept linked to enunciative practices, especially as potency for irrationalizing vocal strata. Thus, glossolalia can add sound-poetic values that destabilize voice related aspects of meaning production and perception. Here we seek a discussion of possible boundaries in vocal production. We will appropriate concepts from the work of Deleuze and Guattari, as well as considerations from Certeau and Pozzo. This article aims to arouse and appreciate aspects of a glossolalic vocality, seeking to expand possibilities for the contemporary performer, problematizing the context of his vocal practices. |
first_indexed | 2024-12-18T05:37:36Z |
format | Article |
id | doaj.art-521f3eb4753a44b0b4078eb52cd1f47e |
institution | Directory Open Access Journal |
issn | 2237-2660 2237-2660 |
language | English |
last_indexed | 2024-12-18T05:37:36Z |
publishDate | 2016-01-01 |
publisher | Universidade Federal do Rio Grande do Sul |
record_format | Article |
series | Revista Brasileira de Estudos da Presença |
spelling | doaj.art-521f3eb4753a44b0b4078eb52cd1f47e2022-12-21T21:19:15ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602237-26602016-01-01617193Inside the Swashing Glossolalias of ArtaudGil Roberto Almeida0César Lignelli1Universidade de Brasília – UnBUniversidade de Brasília – UnBBy analyzing the works of Artaud it is evident a set of ideas that suggests principles for vocality in the context of performance. This vocality is based on a notion of glossolalia as a concept linked to enunciative practices, especially as potency for irrationalizing vocal strata. Thus, glossolalia can add sound-poetic values that destabilize voice related aspects of meaning production and perception. Here we seek a discussion of possible boundaries in vocal production. We will appropriate concepts from the work of Deleuze and Guattari, as well as considerations from Certeau and Pozzo. This article aims to arouse and appreciate aspects of a glossolalic vocality, seeking to expand possibilities for the contemporary performer, problematizing the context of his vocal practices.http://seer.ufrgs.br/index.php/presenca/article/view/60573/35735VoiceGlossolaliaArtaudBody without OrgansHearing |
spellingShingle | Gil Roberto Almeida César Lignelli Inside the Swashing Glossolalias of Artaud Revista Brasileira de Estudos da Presença Voice Glossolalia Artaud Body without Organs Hearing |
title | Inside the Swashing Glossolalias of Artaud |
title_full | Inside the Swashing Glossolalias of Artaud |
title_fullStr | Inside the Swashing Glossolalias of Artaud |
title_full_unstemmed | Inside the Swashing Glossolalias of Artaud |
title_short | Inside the Swashing Glossolalias of Artaud |
title_sort | inside the swashing glossolalias of artaud |
topic | Voice Glossolalia Artaud Body without Organs Hearing |
url | http://seer.ufrgs.br/index.php/presenca/article/view/60573/35735 |
work_keys_str_mv | AT gilrobertoalmeida insidetheswashingglossolaliasofartaud AT cesarlignelli insidetheswashingglossolaliasofartaud |