Recoding painting? Repeated use of artwork in Cindy Sherman and Sam Taylor Wood

Taking a cue form theoretical studies on adaptation, we propose to draw a relationship with similar insights emerged in some recent art historical studies. Through a theoretical analysis of two contemporary artworks by Cindy Sherman and Sam Taylor Wood, both based on earlier visual tradition, we wil...

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Main Author: Dunja Radetic
Format: Article
Language:English
Published: UNICApress 2012-12-01
Series:Between
Subjects:
Online Access:http://ojs.unica.it/index.php/between/article/view/685
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author Dunja Radetic
author_facet Dunja Radetic
author_sort Dunja Radetic
collection DOAJ
description Taking a cue form theoretical studies on adaptation, we propose to draw a relationship with similar insights emerged in some recent art historical studies. Through a theoretical analysis of two contemporary artworks by Cindy Sherman and Sam Taylor Wood, both based on earlier visual tradition, we will consider the effects of re-production of images as the re-production of deferred meaning. The intersystemic quotation such as painting - tableau vivant – coding by photographic and video technologies, works at different levels and creates high degree of ambiguity between the media and the images involved. This mediation produces disturbing effects on the viewer who has to recognize in the artwork an contaminated and elusive visual tradition, which displays a latent meanings and (re)activates memory images. In order to understand these complex layers it is necessary to consider the work and its subtext in terms of a shared temporality in which images, media and extratextual memories, interact.
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spelling doaj.art-5242e4a5444f4880bbc56f0a64520dcb2023-08-02T03:49:47ZengUNICApressBetween2039-65972012-12-012410.13125/2039-6597/685565Recoding painting? Repeated use of artwork in Cindy Sherman and Sam Taylor WoodDunja Radetic0Università Ca' Foscari VeneziaTaking a cue form theoretical studies on adaptation, we propose to draw a relationship with similar insights emerged in some recent art historical studies. Through a theoretical analysis of two contemporary artworks by Cindy Sherman and Sam Taylor Wood, both based on earlier visual tradition, we will consider the effects of re-production of images as the re-production of deferred meaning. The intersystemic quotation such as painting - tableau vivant – coding by photographic and video technologies, works at different levels and creates high degree of ambiguity between the media and the images involved. This mediation produces disturbing effects on the viewer who has to recognize in the artwork an contaminated and elusive visual tradition, which displays a latent meanings and (re)activates memory images. In order to understand these complex layers it is necessary to consider the work and its subtext in terms of a shared temporality in which images, media and extratextual memories, interact.http://ojs.unica.it/index.php/between/article/view/685Storia dell'arteCitazioneIntermedilitàMemoriaRiattivazione
spellingShingle Dunja Radetic
Recoding painting? Repeated use of artwork in Cindy Sherman and Sam Taylor Wood
Between
Storia dell'arte
Citazione
Intermedilità
Memoria
Riattivazione
title Recoding painting? Repeated use of artwork in Cindy Sherman and Sam Taylor Wood
title_full Recoding painting? Repeated use of artwork in Cindy Sherman and Sam Taylor Wood
title_fullStr Recoding painting? Repeated use of artwork in Cindy Sherman and Sam Taylor Wood
title_full_unstemmed Recoding painting? Repeated use of artwork in Cindy Sherman and Sam Taylor Wood
title_short Recoding painting? Repeated use of artwork in Cindy Sherman and Sam Taylor Wood
title_sort recoding painting repeated use of artwork in cindy sherman and sam taylor wood
topic Storia dell'arte
Citazione
Intermedilità
Memoria
Riattivazione
url http://ojs.unica.it/index.php/between/article/view/685
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