La Grande Guerra fra realtà ed illusione: La Grande Illusion e l’immaginario

The aim of this brief essay is to focus on the relation between the meaning of reality and illusion in the movie La Grande Illusion (1937) by Jean Renoir and therefore to find how these ideas of the author may be productive in a thought about the imaginary. After a short look on the movies made at t...

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Main Author: Simone Di Blasi
Format: Article
Language:English
Published: Mimesis Edizioni, Milano 2015-12-01
Series:Im@go. A Journal of the Social Imaginary
Subjects:
Online Access:http://cab.unime.it/journals/index.php/IMAGO/article/view/1167
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author Simone Di Blasi
author_facet Simone Di Blasi
author_sort Simone Di Blasi
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description The aim of this brief essay is to focus on the relation between the meaning of reality and illusion in the movie La Grande Illusion (1937) by Jean Renoir and therefore to find how these ideas of the author may be productive in a thought about the imaginary. After a short look on the movies made at that time on the First World War, there is an overview of the French director poetics, which redefines the conception of the realism, contextualizing its work at the point of convergence of two imaginary “technological lines”, the cinema and the aviation. It follows the analysis of the movie and the illusions, as social largely shared imaginaries, described by the author. In the end it is showed the importance and the of illusion in Renoir’s poetics. Beyond the relationship realityfiction, he thought a dynamic reciprocity among illusion and reality: so that the reality is as “illusion” (a ruled horizon in which it is possible to enjoy a world of play) and the illusion as an activity creating contents of “reality”.
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spelling doaj.art-527c1eb7d5d74b96878f86eed2bd696c2022-12-21T23:00:52ZengMimesis Edizioni, MilanoIm@go. A Journal of the Social Imaginary2281-81382281-81382015-12-0104110137890La Grande Guerra fra realtà ed illusione: La Grande Illusion e l’immaginarioSimone Di BlasiThe aim of this brief essay is to focus on the relation between the meaning of reality and illusion in the movie La Grande Illusion (1937) by Jean Renoir and therefore to find how these ideas of the author may be productive in a thought about the imaginary. After a short look on the movies made at that time on the First World War, there is an overview of the French director poetics, which redefines the conception of the realism, contextualizing its work at the point of convergence of two imaginary “technological lines”, the cinema and the aviation. It follows the analysis of the movie and the illusions, as social largely shared imaginaries, described by the author. In the end it is showed the importance and the of illusion in Renoir’s poetics. Beyond the relationship realityfiction, he thought a dynamic reciprocity among illusion and reality: so that the reality is as “illusion” (a ruled horizon in which it is possible to enjoy a world of play) and the illusion as an activity creating contents of “reality”.http://cab.unime.it/journals/index.php/IMAGO/article/view/1167warfriendshipenemyimaginaryillusionpoetic realism
spellingShingle Simone Di Blasi
La Grande Guerra fra realtà ed illusione: La Grande Illusion e l’immaginario
Im@go. A Journal of the Social Imaginary
war
friendship
enemy
imaginary
illusion
poetic realism
title La Grande Guerra fra realtà ed illusione: La Grande Illusion e l’immaginario
title_full La Grande Guerra fra realtà ed illusione: La Grande Illusion e l’immaginario
title_fullStr La Grande Guerra fra realtà ed illusione: La Grande Illusion e l’immaginario
title_full_unstemmed La Grande Guerra fra realtà ed illusione: La Grande Illusion e l’immaginario
title_short La Grande Guerra fra realtà ed illusione: La Grande Illusion e l’immaginario
title_sort la grande guerra fra realta ed illusione la grande illusion e l immaginario
topic war
friendship
enemy
imaginary
illusion
poetic realism
url http://cab.unime.it/journals/index.php/IMAGO/article/view/1167
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