Surface and light: Thinking through moving images
Utilising case studies from my curatorial practice, this paper discusses the balance between research and creation, and elaborates on exhibition projects that centre the spectator within an embodied experience of the moving image. While some of my curatorial practice includes installation art that l...
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Format: | Article |
Language: | English |
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University College Cork
2019-07-01
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Series: | Alphaville: Journal of Film and Screen Media |
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Online Access: | http://www.alphavillejournal.com/Issue17/HTML/DossierWilmink.html |
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author | Melanie Wilmink |
author_facet | Melanie Wilmink |
author_sort | Melanie Wilmink |
collection | DOAJ |
description | Utilising case studies from my curatorial practice, this paper discusses the balance between research and creation, and elaborates on exhibition projects that centre the spectator within an embodied experience of the moving image. While some of my curatorial practice includes installation art that literalises the space of the image, including Urbanity on Film (2009), and The Situated Cinema Project; in camera (2015), other programs have achieved this same effect within a single-channel screening format, including Radiant Bodies (2015) and Dirt City Rock Fantasy: The Short Films of Trevor Anderson (2016). By treating the moving image as an experience that incorporates the space and time of the viewer’s body, these curatorial projects explore the idea of artwork as a phenomenological tool, creating exciting environments while simultaneously advancing knowledge through the process of being with the artwork. |
first_indexed | 2024-12-12T21:15:55Z |
format | Article |
id | doaj.art-5282ae29a6a843f0811500eaf47b7f95 |
institution | Directory Open Access Journal |
issn | 2009-4078 |
language | English |
last_indexed | 2024-12-12T21:15:55Z |
publishDate | 2019-07-01 |
publisher | University College Cork |
record_format | Article |
series | Alphaville: Journal of Film and Screen Media |
spelling | doaj.art-5282ae29a6a843f0811500eaf47b7f952022-12-22T00:11:45ZengUniversity College CorkAlphaville: Journal of Film and Screen Media2009-40782019-07-0117169178https://doi.org/10.33178/alpha.17.11Surface and light: Thinking through moving imagesMelanie WilminkUtilising case studies from my curatorial practice, this paper discusses the balance between research and creation, and elaborates on exhibition projects that centre the spectator within an embodied experience of the moving image. While some of my curatorial practice includes installation art that literalises the space of the image, including Urbanity on Film (2009), and The Situated Cinema Project; in camera (2015), other programs have achieved this same effect within a single-channel screening format, including Radiant Bodies (2015) and Dirt City Rock Fantasy: The Short Films of Trevor Anderson (2016). By treating the moving image as an experience that incorporates the space and time of the viewer’s body, these curatorial projects explore the idea of artwork as a phenomenological tool, creating exciting environments while simultaneously advancing knowledge through the process of being with the artwork.http://www.alphavillejournal.com/Issue17/HTML/DossierWilmink.htmlexpanded cinemapaintingresearch creationcurationspectatorship |
spellingShingle | Melanie Wilmink Surface and light: Thinking through moving images Alphaville: Journal of Film and Screen Media expanded cinema painting research creation curation spectatorship |
title | Surface and light: Thinking through moving images |
title_full | Surface and light: Thinking through moving images |
title_fullStr | Surface and light: Thinking through moving images |
title_full_unstemmed | Surface and light: Thinking through moving images |
title_short | Surface and light: Thinking through moving images |
title_sort | surface and light thinking through moving images |
topic | expanded cinema painting research creation curation spectatorship |
url | http://www.alphavillejournal.com/Issue17/HTML/DossierWilmink.html |
work_keys_str_mv | AT melaniewilmink surfaceandlightthinkingthroughmovingimages |