The Son's Coming Home: Narrative Economies of Joseph Beuys' Art

This article deals with the narration of Joseph Beuys' art in Germany. My focus is set on the ways that particular curatorial strategies have been applied to Beuys' artistic practice in the Hamburger Bahnhof in Berlin. I contextualize the readings in the interests of different stakeholders...

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Main Author: Margaret Tali
Format: Article
Language:English
Published: Linköping University Electronic Press 2018-08-01
Series:Culture Unbound: Journal of Current Cultural Research
Subjects:
Online Access:http://dx.doi.org/10.3384/cu.2000.1525.20180815
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author Margaret Tali
author_facet Margaret Tali
author_sort Margaret Tali
collection DOAJ
description This article deals with the narration of Joseph Beuys' art in Germany. My focus is set on the ways that particular curatorial strategies have been applied to Beuys' artistic practice in the Hamburger Bahnhof in Berlin. I contextualize the readings in the interests of different stakeholders involved in the rescaling of the artist's heritage. Beuys' framing in the two recent retrospective exhibitions in Berlin and Düsseldorf and the regular display of his works in the Hamburger Bahnhof leads me to argue that private collectors have become closely involved in the process of curating in novel ways, which in turn requires a new critical reading of exhibition practices. Narrative economy is a concept proposed for understanding these interests and their articulations in exhibition curation.
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spelling doaj.art-52974d17c54a4117952fc2c93c1b157a2022-12-21T18:43:00ZengLinköping University Electronic PressCulture Unbound: Journal of Current Cultural Research2000-15252018-08-0110228130010.3384/cu.2000.1525.20180815The Son's Coming Home: Narrative Economies of Joseph Beuys' ArtMargaret TaliThis article deals with the narration of Joseph Beuys' art in Germany. My focus is set on the ways that particular curatorial strategies have been applied to Beuys' artistic practice in the Hamburger Bahnhof in Berlin. I contextualize the readings in the interests of different stakeholders involved in the rescaling of the artist's heritage. Beuys' framing in the two recent retrospective exhibitions in Berlin and Düsseldorf and the regular display of his works in the Hamburger Bahnhof leads me to argue that private collectors have become closely involved in the process of curating in novel ways, which in turn requires a new critical reading of exhibition practices. Narrative economy is a concept proposed for understanding these interests and their articulations in exhibition curation.http://dx.doi.org/10.3384/cu.2000.1525.20180815Art museumsprivate collectorsretrospective exhibitionsnarrative economycuratingHamburger BahnhofJoseph Beuys
spellingShingle Margaret Tali
The Son's Coming Home: Narrative Economies of Joseph Beuys' Art
Culture Unbound: Journal of Current Cultural Research
Art museums
private collectors
retrospective exhibitions
narrative economy
curating
Hamburger Bahnhof
Joseph Beuys
title The Son's Coming Home: Narrative Economies of Joseph Beuys' Art
title_full The Son's Coming Home: Narrative Economies of Joseph Beuys' Art
title_fullStr The Son's Coming Home: Narrative Economies of Joseph Beuys' Art
title_full_unstemmed The Son's Coming Home: Narrative Economies of Joseph Beuys' Art
title_short The Son's Coming Home: Narrative Economies of Joseph Beuys' Art
title_sort son s coming home narrative economies of joseph beuys art
topic Art museums
private collectors
retrospective exhibitions
narrative economy
curating
Hamburger Bahnhof
Joseph Beuys
url http://dx.doi.org/10.3384/cu.2000.1525.20180815
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