Rythmes de mort

This article analyses the specific temporalities of journalistic activity when covering the death of a celebrity. It sheds light on the different factors that determine the tempo of information given on the death of a well-known personality, and unravels the professional and media processes that sus...

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Main Authors: Dakhlia Jamil, Quemener Nelly, Castex Lucien
Format: Article
Language:fra
Published: ADR Temporalités
Series:Temporalités
Subjects:
Online Access:https://journals.openedition.org/temporalites/3368
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author Dakhlia Jamil
Quemener Nelly
Castex Lucien
author_facet Dakhlia Jamil
Quemener Nelly
Castex Lucien
author_sort Dakhlia Jamil
collection DOAJ
description This article analyses the specific temporalities of journalistic activity when covering the death of a celebrity. It sheds light on the different factors that determine the tempo of information given on the death of a well-known personality, and unravels the professional and media processes that sustain them. To do so, it presents quantitative and qualitative data resulting from the analysis of a corpus of 24.459 news headlines on dead celebrities spotted in the transmedia archive base OTMedia in 2012. Studying the circulation of news between radio, TV, the online press and the Web allows us to grasp the role of each media in the production of “death as event”. Two operations governing the informational pace of death are distinguished. The first concerns newsworthiness: gatekeeping means selecting the persons whose death deserves to be publicized. The second operation consists in the value-creation of the piece of news through a succession of different journalistic activities (time of news, time of homage, time of interrogations, “metareporting”). We hypothesize that obituaries are mostly fueled by controversies over life and death.
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spelling doaj.art-52e972e2b4554468bc97fd124f0a20c72024-02-13T14:02:09ZfraADR TemporalitésTemporalités1777-90062102-58782310.4000/temporalites.3368Rythmes de mortDakhlia JamilQuemener NellyCastex LucienThis article analyses the specific temporalities of journalistic activity when covering the death of a celebrity. It sheds light on the different factors that determine the tempo of information given on the death of a well-known personality, and unravels the professional and media processes that sustain them. To do so, it presents quantitative and qualitative data resulting from the analysis of a corpus of 24.459 news headlines on dead celebrities spotted in the transmedia archive base OTMedia in 2012. Studying the circulation of news between radio, TV, the online press and the Web allows us to grasp the role of each media in the production of “death as event”. Two operations governing the informational pace of death are distinguished. The first concerns newsworthiness: gatekeeping means selecting the persons whose death deserves to be publicized. The second operation consists in the value-creation of the piece of news through a succession of different journalistic activities (time of news, time of homage, time of interrogations, “metareporting”). We hypothesize that obituaries are mostly fueled by controversies over life and death.https://journals.openedition.org/temporalites/3368temporalitiesdeathjournalismmedia coverageevent-makingOTMedia
spellingShingle Dakhlia Jamil
Quemener Nelly
Castex Lucien
Rythmes de mort
Temporalités
temporalities
death
journalism
media coverage
event-making
OTMedia
title Rythmes de mort
title_full Rythmes de mort
title_fullStr Rythmes de mort
title_full_unstemmed Rythmes de mort
title_short Rythmes de mort
title_sort rythmes de mort
topic temporalities
death
journalism
media coverage
event-making
OTMedia
url https://journals.openedition.org/temporalites/3368
work_keys_str_mv AT dakhliajamil rythmesdemort
AT quemenernelly rythmesdemort
AT castexlucien rythmesdemort