Le cinéma de banlieue : un genre instable
To name a group of fiction films, showing the social and ethnic specificities of french banlieues, we often use a vague expression: cinéma de banlieue. Which reality can hide the use of this equivocal term ? This paper forsees the study of critical reception as a way to justify the use of this label...
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Format: | Article |
Language: | English |
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Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel
2011-01-01
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Series: | Mise au Point |
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Online Access: | http://journals.openedition.org/map/1003 |
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author | Carole Milleliri |
author_facet | Carole Milleliri |
author_sort | Carole Milleliri |
collection | DOAJ |
description | To name a group of fiction films, showing the social and ethnic specificities of french banlieues, we often use a vague expression: cinéma de banlieue. Which reality can hide the use of this equivocal term ? This paper forsees the study of critical reception as a way to justify the use of this label, to establish a corpus and to define the key lines of a generic « formula ». It intends showing the social value of the development of an unstable film genre, which always depends on the historical context of production of discourses about films - all the more when these put questions on sensitive social issues. |
first_indexed | 2024-12-21T07:40:19Z |
format | Article |
id | doaj.art-5326756e64324196a07517fa3a563833 |
institution | Directory Open Access Journal |
issn | 2261-9623 |
language | English |
last_indexed | 2024-12-21T07:40:19Z |
publishDate | 2011-01-01 |
publisher | Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel |
record_format | Article |
series | Mise au Point |
spelling | doaj.art-5326756e64324196a07517fa3a5638332022-12-21T19:11:19ZengAssociation Française des Enseignants et Chercheurs en Cinéma et AudiovisuelMise au Point2261-96232011-01-01310.4000/map.1003Le cinéma de banlieue : un genre instableCarole MilleliriTo name a group of fiction films, showing the social and ethnic specificities of french banlieues, we often use a vague expression: cinéma de banlieue. Which reality can hide the use of this equivocal term ? This paper forsees the study of critical reception as a way to justify the use of this label, to establish a corpus and to define the key lines of a generic « formula ». It intends showing the social value of the development of an unstable film genre, which always depends on the historical context of production of discourses about films - all the more when these put questions on sensitive social issues.http://journals.openedition.org/map/1003banlieuefilmgenrereception studycorpuscontext |
spellingShingle | Carole Milleliri Le cinéma de banlieue : un genre instable Mise au Point banlieue filmgenre reception study corpus context |
title | Le cinéma de banlieue : un genre instable |
title_full | Le cinéma de banlieue : un genre instable |
title_fullStr | Le cinéma de banlieue : un genre instable |
title_full_unstemmed | Le cinéma de banlieue : un genre instable |
title_short | Le cinéma de banlieue : un genre instable |
title_sort | le cinema de banlieue un genre instable |
topic | banlieue filmgenre reception study corpus context |
url | http://journals.openedition.org/map/1003 |
work_keys_str_mv | AT carolemilleliri lecinemadebanlieueungenreinstable |