Theatrical Bridge: The Art and Actor Training Method of Tadashi Suzuki From a Hungarian Perspective
It is hard to realize after the first impression that the philosophical and pedagogical work of Mr. Suzuki has common points with the Eastern-European theatrical culture. I would like to point out the differences and similarities between our, basically psychological ways of thinking in our theatres...
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| Format: | Article |
| Language: | English |
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UArtPres
2020-08-01
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| Series: | Symbolon |
| Subjects: | |
| Online Access: | http://uartpress.ro/journals/index.php/symbolon/article/view/111 |
| _version_ | 1797948023605559296 |
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| author | Gábor Viktor Kozma |
| author_facet | Gábor Viktor Kozma |
| author_sort | Gábor Viktor Kozma |
| collection | DOAJ |
| description | It is hard to realize after the first impression that the philosophical and pedagogical work of Mr. Suzuki has common points with the Eastern-European theatrical culture. I would like to point out the differences and similarities between our, basically psychological ways of thinking in our theatres and Tadashi Suzuki’s theatre. I would like to bridge the gap between the two opposing ways of thinking and query that they are even contrary to each other. I will research the advantages of the Suzuki Method of Actor Training for the Eastern-European theatrical culture. I will examine the different theatrical way of thinking about the legs. I would like to research this topic based on the science of theatre anthropology and my personal artistic experience with Tadashi Suzuki along the following aspects: the pre-expressive level and the body, the importance of the legs, stillness and freedom. |
| first_indexed | 2024-04-10T21:35:47Z |
| format | Article |
| id | doaj.art-534fd1930ad042988078aa67a8cf8fe4 |
| institution | Directory Open Access Journal |
| issn | 1582-327X 2344-4460 |
| language | English |
| last_indexed | 2024-04-10T21:35:47Z |
| publishDate | 2020-08-01 |
| publisher | UArtPres |
| record_format | Article |
| series | Symbolon |
| spelling | doaj.art-534fd1930ad042988078aa67a8cf8fe42023-01-19T11:52:22ZengUArtPresSymbolon1582-327X2344-44602020-08-01172(31)104111111Theatrical Bridge: The Art and Actor Training Method of Tadashi Suzuki From a Hungarian PerspectiveGábor Viktor Kozma0University of Arts Târgu MureșIt is hard to realize after the first impression that the philosophical and pedagogical work of Mr. Suzuki has common points with the Eastern-European theatrical culture. I would like to point out the differences and similarities between our, basically psychological ways of thinking in our theatres and Tadashi Suzuki’s theatre. I would like to bridge the gap between the two opposing ways of thinking and query that they are even contrary to each other. I will research the advantages of the Suzuki Method of Actor Training for the Eastern-European theatrical culture. I will examine the different theatrical way of thinking about the legs. I would like to research this topic based on the science of theatre anthropology and my personal artistic experience with Tadashi Suzuki along the following aspects: the pre-expressive level and the body, the importance of the legs, stillness and freedom.http://uartpress.ro/journals/index.php/symbolon/article/view/111suzuki tadashiactor’s freedom |
| spellingShingle | Gábor Viktor Kozma Theatrical Bridge: The Art and Actor Training Method of Tadashi Suzuki From a Hungarian Perspective Symbolon suzuki tadashi actor’s freedom |
| title | Theatrical Bridge: The Art and Actor Training Method of Tadashi Suzuki From a Hungarian Perspective |
| title_full | Theatrical Bridge: The Art and Actor Training Method of Tadashi Suzuki From a Hungarian Perspective |
| title_fullStr | Theatrical Bridge: The Art and Actor Training Method of Tadashi Suzuki From a Hungarian Perspective |
| title_full_unstemmed | Theatrical Bridge: The Art and Actor Training Method of Tadashi Suzuki From a Hungarian Perspective |
| title_short | Theatrical Bridge: The Art and Actor Training Method of Tadashi Suzuki From a Hungarian Perspective |
| title_sort | theatrical bridge the art and actor training method of tadashi suzuki from a hungarian perspective |
| topic | suzuki tadashi actor’s freedom |
| url | http://uartpress.ro/journals/index.php/symbolon/article/view/111 |
| work_keys_str_mv | AT gaborviktorkozma theatricalbridgetheartandactortrainingmethodoftadashisuzukifromahungarianperspective |