The case of Capogrossi in Rome: criteria and limits in the retouching process of a contemporary mural painting

This paper focuses on the reintegration treatments studied for a contemporary mural painting, which was designed and carried out by the Italian artist Giuseppe Capogrossi in 1954. This forgotten masterpiece is located on the ceilings of the main double staircase at the entrance of the Airone, an ex...

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Main Authors: Paola Mezzadri, Giancarlo Sidoti
Format: Article
Language:English
Published: Grupo Español del IIC 2020-12-01
Series:Ge-conservación
Subjects:
Online Access:https://ge-iic.com/ojs/index.php/revista/article/view/829
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author Paola Mezzadri
Giancarlo Sidoti
author_facet Paola Mezzadri
Giancarlo Sidoti
author_sort Paola Mezzadri
collection DOAJ
description This paper focuses on the reintegration treatments studied for a contemporary mural painting, which was designed and carried out by the Italian artist Giuseppe Capogrossi in 1954. This forgotten masterpiece is located on the ceilings of the main double staircase at the entrance of the Airone, an ex-cinema theatre in Rome, which was designed and planned during the Fifties by the famous architects Adalberto Libera, Eugenio Montuori and by the engineer Leo Calini. After a brief introduction based on the conservation history of the building and on the painting itself, it will be described criteria and limits in the reintegration process of a sample area of this highly degraded polyvinyl acetate (PVAc) based mural. The materials selected in the reintegration project, based on natural polymers and synthetic polymers, will be theoretically compared with one another and it will be explained why some of these could be appropriate and effective, while others could not chromatically work in this particular case.
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spelling doaj.art-53c33995fbf84086b9f942c4477497612023-03-07T08:32:48ZengGrupo Español del IICGe-conservación1989-85682020-12-011810.37558/gec.v18i1.829The case of Capogrossi in Rome: criteria and limits in the retouching process of a contemporary mural paintingPaola Mezzadri0Giancarlo Sidoti1ICR - Istituto Centrale per il RestauroIstituto Centrale per il Restauro, Rome, Italy This paper focuses on the reintegration treatments studied for a contemporary mural painting, which was designed and carried out by the Italian artist Giuseppe Capogrossi in 1954. This forgotten masterpiece is located on the ceilings of the main double staircase at the entrance of the Airone, an ex-cinema theatre in Rome, which was designed and planned during the Fifties by the famous architects Adalberto Libera, Eugenio Montuori and by the engineer Leo Calini. After a brief introduction based on the conservation history of the building and on the painting itself, it will be described criteria and limits in the reintegration process of a sample area of this highly degraded polyvinyl acetate (PVAc) based mural. The materials selected in the reintegration project, based on natural polymers and synthetic polymers, will be theoretically compared with one another and it will be explained why some of these could be appropriate and effective, while others could not chromatically work in this particular case. https://ge-iic.com/ojs/index.php/revista/article/view/829Capogrossicontemporary mural paintingretouching techniquessynthetic polymersnatural polymerspilot methodology
spellingShingle Paola Mezzadri
Giancarlo Sidoti
The case of Capogrossi in Rome: criteria and limits in the retouching process of a contemporary mural painting
Ge-conservación
Capogrossi
contemporary mural painting
retouching techniques
synthetic polymers
natural polymers
pilot methodology
title The case of Capogrossi in Rome: criteria and limits in the retouching process of a contemporary mural painting
title_full The case of Capogrossi in Rome: criteria and limits in the retouching process of a contemporary mural painting
title_fullStr The case of Capogrossi in Rome: criteria and limits in the retouching process of a contemporary mural painting
title_full_unstemmed The case of Capogrossi in Rome: criteria and limits in the retouching process of a contemporary mural painting
title_short The case of Capogrossi in Rome: criteria and limits in the retouching process of a contemporary mural painting
title_sort case of capogrossi in rome criteria and limits in the retouching process of a contemporary mural painting
topic Capogrossi
contemporary mural painting
retouching techniques
synthetic polymers
natural polymers
pilot methodology
url https://ge-iic.com/ojs/index.php/revista/article/view/829
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