Camille Enlart s’en va-t-en guerre. Le musée de Sculpture comparée pendant la Première Guerre mondiale
This article deals with the situation of the museum of Comparative sculpture in Paris and the particular implication of its director Camille Enlart during the First World War. In the context of an exaltation of nationalism, he organized in 1915, among the plaster cast collections of French historica...
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Format: | Article |
Language: | fra |
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Ministère de la Culture et de la Communication
2014-02-01
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Series: | In Situ |
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Online Access: | http://journals.openedition.org/insitu/10894 |
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author | Jean-Marc Hofman |
author_facet | Jean-Marc Hofman |
author_sort | Jean-Marc Hofman |
collection | DOAJ |
description | This article deals with the situation of the museum of Comparative sculpture in Paris and the particular implication of its director Camille Enlart during the First World War. In the context of an exaltation of nationalism, he organized in 1915, among the plaster cast collections of French historical monuments executed in the last third of the nineteenth century, the first exhibition of photographs dedicated to architectural and artistic destructions. He pointed out with 'offensive' notices the archeological value of the casts of the collections the originals of which were entirely or partly destroyed. Without being in the trenches, Camille Enlart led a war from inside the museum, using cultural and identity weapons to fight the enemy and to support French propaganda. |
first_indexed | 2024-04-13T12:24:11Z |
format | Article |
id | doaj.art-545ba69af22b483fb8658c5d5353c0a6 |
institution | Directory Open Access Journal |
issn | 1630-7305 |
language | fra |
last_indexed | 2024-04-13T12:24:11Z |
publishDate | 2014-02-01 |
publisher | Ministère de la Culture et de la Communication |
record_format | Article |
series | In Situ |
spelling | doaj.art-545ba69af22b483fb8658c5d5353c0a62022-12-22T02:47:04ZfraMinistère de la Culture et de la CommunicationIn Situ1630-73052014-02-012310.4000/insitu.10894Camille Enlart s’en va-t-en guerre. Le musée de Sculpture comparée pendant la Première Guerre mondialeJean-Marc HofmanThis article deals with the situation of the museum of Comparative sculpture in Paris and the particular implication of its director Camille Enlart during the First World War. In the context of an exaltation of nationalism, he organized in 1915, among the plaster cast collections of French historical monuments executed in the last third of the nineteenth century, the first exhibition of photographs dedicated to architectural and artistic destructions. He pointed out with 'offensive' notices the archeological value of the casts of the collections the originals of which were entirely or partly destroyed. Without being in the trenches, Camille Enlart led a war from inside the museum, using cultural and identity weapons to fight the enemy and to support French propaganda.http://journals.openedition.org/insitu/10894Camille Enlartmusée de Sculpture comparéeTrocadéromoulagenationalismepropagande |
spellingShingle | Jean-Marc Hofman Camille Enlart s’en va-t-en guerre. Le musée de Sculpture comparée pendant la Première Guerre mondiale In Situ Camille Enlart musée de Sculpture comparée Trocadéro moulage nationalisme propagande |
title | Camille Enlart s’en va-t-en guerre. Le musée de Sculpture comparée pendant la Première Guerre mondiale |
title_full | Camille Enlart s’en va-t-en guerre. Le musée de Sculpture comparée pendant la Première Guerre mondiale |
title_fullStr | Camille Enlart s’en va-t-en guerre. Le musée de Sculpture comparée pendant la Première Guerre mondiale |
title_full_unstemmed | Camille Enlart s’en va-t-en guerre. Le musée de Sculpture comparée pendant la Première Guerre mondiale |
title_short | Camille Enlart s’en va-t-en guerre. Le musée de Sculpture comparée pendant la Première Guerre mondiale |
title_sort | camille enlart s en va t en guerre le musee de sculpture comparee pendant la premiere guerre mondiale |
topic | Camille Enlart musée de Sculpture comparée Trocadéro moulage nationalisme propagande |
url | http://journals.openedition.org/insitu/10894 |
work_keys_str_mv | AT jeanmarchofman camilleenlartsenvatenguerrelemuseedesculpturecompareependantlapremiereguerremondiale |